seen 


ri Beats 


: 


‘> 
z 
mie S 
eta he EE 
ont 


Beaugteeet 
ley 
ee 


¥ 
eae 
meer at yet 
pits 
wee 


ae ee Bites 2 
pants cereal 


ie 
“ 


iS 
% 


$, 


ee 
cK 


Sons eaten 


eae 


Pirates 


Bech as 
eat ee 
‘ coetattieatt 
shuts Siar 


sqeenee ak 
eatin 


ite 
tt 


iio 
Veavals 
etocan 
sees 
meaptvareetatataranee 
eke ak 1! ae 
Prien thy eta 


from the 


All ha 
ir 8 with 1 


F cpsthasbil aise. 

ee. were there, unit 
‘the opinions 
ia reserving the veut te 


ae the catalogue brought 
ees price, $9,600, was 
cke’s “Return from the 


RE CEES A i 
Dunes, "E. Me- 
Ke Ae eR es : 


estan foil 0 ‘a Head, al ike 
ey nger , ; ° ee heoe a 
a tg ake ‘Stitrup | Cup,” ‘E. Nan 


aes 


“aT —ron on,“ Bitide ‘de. "Boeul, ee Me. 
38—F peauet cighe. “Phist Visit, 37D) Tisch- 
eS 
upc ae “Going to Pasture— Barly 


2? Knoedler & Co, ....-.4. 
41 —worms, na suas S Louis Bam- 


See ee ae se 


42—Mauve,, “ORebamning from Pasture—_ ts 


ng? WA. Cl TERS Gere aaeere 
6g) Boclnner, ‘The Park,” Daniel Rutter. 
nian ee Sr., “Milking Kini E, Mc- 
j / d ‘ e Cee 
Aen, $4 St. Quen,” Henry  Reinhart,. 
46—De Neuville “The eadquarters — 
Flag.’ F. 8, Flower......-....+5. 
AT—Howe, © “Retum from Ae aoe sd ee ys 


48—Ohialiva, | ‘The: ‘Goose ‘Gi irl’? Near erahaahies 
aa mee “The 5 ra vai +” Soott & 
MT POVLES) fc nal ata situ cana a tatalo a Rus eee ot ele 
50—Barnsley, ‘‘A French “Village,” James 
Ww. White ee Re Sagh Dale ilicdiae cee akan apeiar ss 
51——Penne, “Hounds in Leash, A, Schaus 
52—~Detaille, ““Reconnoissance from the 


Windmiill,”’ Isaac Guggenheim. .... 
53—Meeker, ‘A Southern Swamp,’ P. G. 
COCO ATE GHEN Gi bees gieialenenseldice 
ets er von Bremen, “‘Bxpectation,”” 

Max EB. Bernheimer. . oles Wanely c 


Eageki ten te ‘Sheep Under “Trees,” A Ie 
BSP TU Pe hel Eke Gea a iat ace aatia ots kota 
phan ceca cutee "La Pieirette, a James b. 


Pe eC en 


57—J. Maris “e ading a Sand Barge,” 


Canllecde Silver / Gs Pie's Aisieisleievaiwwen 
§8—Corot.- “Ttalian Maiden’’?; W. A. 
CNA VIC eae a teta ye Oe sie eetolial as open lee 
apbvchit aan “Bridge at Saint Prive’; 
WIORCIEM Roch piaia sya bielene ce 4 ieatele 


i EC ace penlian as ne Bathers”’; Reso 


‘by Hugene Fischhof. 

10 ‘the most. artistic work of the 
, > most valuable for 
. The list-numbers: 
es “ot painters, titles 
. and. prices paid 


orning or the Hunt,”’ 


i Game,” W. Gowen 
in meaiees i SH EL 


: Ganal, ae Schaus, 
Watering Place,” 


al 
a RO | hiclsinger. 


on “hale i” Vewis Ralston 
rd Otto 1 otitis 


Wig dnote’ bier ee ee Foe 


f ‘ eee in the Vatiey, 


ie ial eae w ella eresenmie: oc 


amascape,. red 
ae Bh ny ee 
t Hngo Reisinger 
“ty ‘Roman "itl, i Ay 


uf ( Gheepfola;’’ 
ceils Road, 


nt Ww higwg 


isnoedler & Go. ‘ 


Ear wencs ES ee ree 
Hi 


Rousenn. efandscave’s ; 


Cee eee ae se 6 8 eee oe 8 8 8 ew we 8 


62—Hariy doubts Sea he Hermann 
63-—Harry Chase, ‘Fruit,’ Littenham » 
bedi geisyiramrse qairavelling in js Rec ” Geo, 

£ ow see wee er eer meosr eer eae ae e 


65—Niczky, ‘‘In Expectation 
66—Da Lt -Bouveret, ‘‘The We ‘a t e ri: n gz 


ugh’’> Lewis Ralston nate, 
Laser uy a Cat Family’; “Otto Bur- 
ht el FOR 2 a PR taf emp arHh ta me 
68—Harpignies. ‘Willow Near. fhe River,”’ 


ENT ONEIDA TA a aie aca shen a ahaa cere ne 
69—Monet. , ‘Snow Hiftect,’ a Daraud Hue 
70——Delacroix, ‘‘An Arab Fantasia,’ M, 
| ‘Hy; Lehman. pa UCI Ie 0 MRA Tg 
- %1—De Thoren, ‘‘Hungarian Market,’’.. 

72—Cazin, “Thornfield Castle,’’ Henry 


PRS Tan PLANE aio es calor ne asta talk aihcigveicei ss, Wtay a 
%8—-Van aaier ‘Return from Pasture,” | 
MEY STOOP EMO kata teisie wikcetay si pie. sieved 
'74-—Leader, Pi cp on the Thaines at 

Marer BH. W. Smith..... neraget 
715-—-Volkhart.. “vephe Proposal,” H. ©. 


BT AION oa Goad oa wNe 9 pelblinlin ak Rare ct 

Te Ne Heh ‘Church in’ Danger,” ¥ 
NTRP OMTIGITAY Si arsderete a elisa nine e's 

i danancs ia “Classical Landscape.”’ T, i 8 
718-—L Hermite, * “the Blaze of Noonday,’’ 
Sate Rey OWES ak wii Bouiv ie thw Biel's ores ee 
Leet Sages Patan te “Answering the Signal,’’ 
ROTLASSOTIM Coiaiia eae) ails (eile 's foe othe eo 
| ampeac nae Pins “Riding Party,” H. U. 
| q FALIMCT cs eae es ee ce ewe ewe wee eee oe 
St Schaerer “Roman Maidens,” BE. Me- 
Millan ACA i OWLS en ee 
ia ae “Courtship,” ‘Henry’ Rein- 


Pare i ee ee ee ee 


Sm PEN atthe nee Ale aaa ira) Mle pale, Sipe Ie Tat 8 
Bee CR “Girl Won dine Turkeys, a itil 


Pe ee 


nker 
85—De Thoren) “On the Road to Atavitel, Aig 


Louis Bamberger Lhe eid elite) os el CLL eta 
86—-Pearce, “‘“The Little anc sate r caiab 
©. W. Krawshaar Dank teitalare mit 


87-—Lefebvre, ‘“Psyche,’”’ Lewis Ralston. 
88—Boudin, ‘Beach at Etretat,’’ Hugo 
Reisinger A seat oc ele sabi Rarer a aang 


RE, 
s0—Summers, Bust, "Modest, itn O lad 28 G34 


ee eeee 


90—Gallandt,. ‘Bish @ Apollo,’?. ‘Otto “Bur- 


we mett. agent RE Rahal NGAIMYE Wile in lelinhalaratiehs 

91 adatlanet. Bust, ‘‘Antonius,’’ Otto 
Burnett; BIDE ah Ur ee TO eae ates 
92—Statuette ‘of Venus de Milo,.......- 


Pail 


€ J heimer........ Oh ee 7 
droni Hes ‘Cupid;’’ an x Bern-_ ‘ ae 
‘Crouching Venus,’ Copy 
in ihe yan ae Tae 


Aveenne ei ions” (Gomar 
‘droni, “‘ enus yeus,”? py of a 
the figure in the ‘apes. Museum ; 
es ase Beriheimer so aise hese bos aes 285 
re 00—Gallandt, UP anishmanie of Cupid Pa 
& Otto Burnett, HPN Be Ged! bom e 710 
© 101—Moreau, ‘Bronze, “Vioneuse :” pi G. 

De ery; See lent ask 160) 

- 102—Morean, Large Groap, “immortality? . 

K Otto B Burnett. AageDb. seers e eens ) 580 


TOTAISUPTO $176, oe 


iy " 


Collection Generally Disposed Of 


| 
j 


at Excellent Prices. | | 


Sep hee 


| 


BEST PRICES FOR ‘PICTURES 


| 
| 
| 


i ‘ 


‘Pieces be ‘Sculpture ‘Sell for ‘Sums, 
‘That Barely Cover the ; 


ils Pedestals. 


C. } 
The sale of the collection of art works of | 
the late J. W. Kauffman brought as a. 
whole excellent prices last night at Men-| 
‘delssohn Hall, where they were sold junder | 
‘the direction of the American Art Gal- 
jeries. The gross returns were. $176,695. 

. The highest price for an individual pict-| 
ure was $9,600 for “Return from Pasture,’’ | 
‘by Emile Van Marcke. The next was 
$8,000 for a Troyon,. “The Watering 
Place,” and. Daubigny’s ‘‘ Banks of the. 
‘Dise,” brought $6,700, Schreyer’s ‘ Trav-| 
eling in Russia ” leading this by $200, | 
'80ing at $6,900, 

| The pieces of sculpture went low, for| 
not much more than the prices of the 
marble pedestals that went with them.) 


| Dhe most noted pictures, the painters, | 


the purchasers, and the prices are as fol-| 
‘lows: Ra 


‘A Side Canal se Sienaeieiaete Rico; | 


{ 


tf Fred Hermann »... VRE oe CRO DO! 
A Dutch Canal—John D. Johgicind; Her- 
PEMA RID OOCHAITS ie WAL ule ondary RNS hs 1,950 
| The : Dispatch Bearer~Aiberto Pasini: j 
PCr cde) MowIles ee oe aes « 1,526 
| Pertrait of the Artist and His ‘Favorite 
Pos~Ludwig Knaus; Hugo Reisinger... 600 
‘The’ Water Place—Constant Troyon; 
BPRATON OV VASO r ie iN Giulia reins 8,000: 
| Innocence—Jean - J. Henner: | Otto Bur- 
DOCU yan), Gipti a Gute Rio out 2;600° 
Banks of the ‘Olse-—Charles Francois j 
Daubigny; | Knoedler.&) Col ii. een ee ek 6,700, 
| Cows in the Valley—Eugene Boudin: 
QRRESA EO UE MERCUIT icin wales cel eialt Mave ale aie 900 
TS “arriage Contract—Jose Galligos; F. 


BEA heer a FAG Gs ,300! 


rete eee 


Walker. ‘ 2,500) 


sane . 


Expectation—Meyer ‘von "Bremen; Max E. 


Tete 
‘ Charles Pee 
‘The March—N. 


'The Park—G:. Boehmer; Daniel Rutter... — 
Milking. Time—John ‘Linnell, S053 Emer- 


‘The Headquarters Flag—Alphonse’ MM. e 


Garcon: 
Died i de 


Knoedler & PRR Nahe le 
‘Lovemaking—Franz Detreg; ger} 
La Tour etd AR) is Fer 


Hermann } ecorate a etere rate 
Etude ae Boeuf—Constant “Trovan;” 
McMillan veces pats Shes wees 
The First Visit—J. G.. pea Fishho?. HY 
Aw indy Day—Jules Dupre; G. K. G. 
INBS cevssvcses Wes ek 
Going to Pasture—Harly Morning—Anton 
Mauve; Knoedler -&° Col. 0572.46. <) eee 
A _ilirtationd ules Worms; Louis” Bam 
rger odd ESE Ode eo Hens Bek RRL Ph 6 ome ee 
Returning. from wk oe 
ton Mauve; Senator W. A. Clark.... 


fon, McMillan’ ...9. 205 .@ beaies > ou 
St. Ouen—J. Lepine; Henry Rhineh 


fbbat!! Tp 


Neuville; F. S, Flower... 


mee nee ese 


The- Seamstress—Josef ‘Is 5 Seott & 
Fowles een ewe be meen” WABI Sk to Rigi a neh ae 
Hounds. in Leash—Otto. de 
mann Schaus .......+.05 or 


.ouaid Detaille; Isaac” iy ie 
A Southern Swamp—John 
F, Goodhardt wee eras ‘ 
Bernheimer ..i....5 Bente 
Sheep under the ‘Trees—Charles Emile 
Jacque; Ay Amie areas is ieee ear ar 
La Pierrette—Raimundo de  Madrazo; 
James De WwW. Cutting |W Moweens wicve ses 
Loading a Sand Barge—Jacob Maris; (|. 
Carll de Silver see ender beseeees eg ered ba elt 
Pet Mae to Senator: We Ant 
ar pe eevee Sse ee oibatatecat 
The Bridge: at Saint Prive—Henri Har- 
pignes; Knoedler & €o.. ivisus. css ees dus 
The Bathers—J. Souza-Pinto> R. Ll. Rose. 
Harly Morning in the Redoubt—P. Berne-: 
Bellecour; ne Eppstein ais se cows eae 1 
Traveling in Russid—Adolph Schreyer; 
George A. Dowden 2.4. -ciessocscscsaes 
The Watering Trough—P. ak Dagnan- 
Bouveret; Louis: Ralston wos. ieee a & 
A Cat Family—L, Eugene Lambert; Otto 
Burnette, agent, o:.). Since amas oe cian 
The Willow Near the River—Henrl Har- 
pignes; Hmerson McMillan ............. 
ce i Effect—Claude Monet; Durand- 
ue ae a . Cee 
An Arab F antasia—-Hugene Delacroix; M. 
FE: Lehnians ai sitesle aus RARER GE * 
Hungarian Mar et—Otto de “Thoren; —— ; 225 | 
Thornfield Castle, Jean Charles | ‘Cazin} aes 
Henry Rhinehardt .. gaia 6,6 
Return from Pasture, Emile van “Marcke; 
Fischhof=..ccs%% eee eee e eee 
Evening on the Thames ‘at “Margrave, 
Benjamin W, leader; H, W. Smith.. 1,9 
The Proposal, Max Volkhart; H. c. 
WV TOO o o0. eereannn ee aaa Sb elas 
The Chureh in Danger, “Jehan Géorges vic 
bert; Isaac Guggenheim ...3.....0...: 
Classical Landseape, Sir Augustus Ww. nea 
Calicott,. R. Av; T. J. Hllioett 
The Blaze of Noonday, 


see eevevee 


‘Leon TAR DUOR re, 


Scott °& Powles:s isices ewes 
wee sa Beh Party, Fiche ne ‘Goubie; ‘Henry 
BQIMer ss sikses ee Baie id 
Courtship, “Mihaly de ‘Munkacsy: ‘Henry 


ee eee eeee + a Piateieh 6 & yeas Si oa heskseae 


ane a VONAGE SIN ‘‘Kaemmerer; Hi. Ww. 
PLL lw cisvaeat eee aka he ; buen 
On the Road to “Market—Otto ‘de ‘thoren, ae 
Louis Bamberger ...... save i 
The Little Housekeeper-—Charles ‘Sprague 
Pearce; ©, 1 UAT aUShaMr es as one 
Psyche—Jules Le Febvre; Louis Ralston. a 
The Beach at Etretat—Hugene Bondin; 
Hugo Reisinger’. 


a aie! BRIA TS Obs Ra a ete alle eh ait ae 


wi tas 


¢-Modests-—Gharies Summ suneaete:| D. G. 


ee ae eee re a 115: 
‘Apollo—L. ‘Gallandt; Otto Burnette, Oe 
Antinous~ nous. Gallandt; Otto ‘Bur: pe 

| tte of Ventis de Milo.......5//772 Tio 
i at @ of. 2 ape de Medici; Otto Bur- on 
PMR OTE coat beak vie es sick dae cad 
t te, Venus of ‘the’ Capital, Rome; i 
Piru aleeig: thar, petie 15 
eee Cicero. copy by. Gallandt: Otto Bur- : 
PE OTU Ha ssh Wins dels Ce ce oe ie om a Se Se Sr Ve ge qi 
hoe Der aaminathenss, copy by Gallandt: 
ae feran UNLESS eee ORE EO Ar ne 45 
‘Veiled Cupid; Otto Bernheimer ...... 155 
Crouchin Venus, ‘copy. from Vatican, by 
OES CALS Bek 0 0 ea ee 410 
‘Venus Callipysus, ¢ copy, original size; Max Sue 
ENERO ED) uBR falral 0a) a (6 bye jaleiae.6.8 € ae hel acihe 
Punishment of Cupid—Gailanat; Otto Bur- 
nette, agent YL aa ele aiuesste Sa Nin we Pay 9 
ee “ BRONZES. 
"Yigneuse—Moroau:; Wy Mee ROT US ciel ke ba fieie ns 160 
Immortalit y—Large group, by ‘Mathew 
[ Moreau; Otto Burnette, agent..... cress BBO" 


KAUFFMAN ‘SALE, Site 695, 


r ar Epicure PAINTINGS GO AT 
(EARLY $2,000 EACH. 


wW. mn Clark: Buys. a Woten’ Troyon 
- $8,000, “The, Watering Place” 
—A Van Marcke Brings the Top Figure, 
y ME $9,600—Detalls: of the Auction. 


» Mendelssohn - ‘Hall last. evening there 
sa full attendance of buyers and several 
d more admirers of ons ahaa geen 
take intings' in the collection 
¢ the Sean of St. Louis at 
‘Wberal’ prices. Eighty-eight pictures sold 
Ey of an average price of nearly 


fe, 


$2,000 each: A dozen pieces of sculpture 
and two bronzes brought up the total of 
the: evening’s ‘sale to’ $176,005-, Aah Kirby. 
was the: ‘auctioneer. 

oA canvas by Van: ‘Marcke,. “eReturn From 
past Pasture,* brought the. highest figure, 
$9,600. An unusual Troyon, in which 
‘cattle, “were ‘subordinate elements in the 
general composition, entitled “The Water- 
‘ing Place,” was bought by Senator W. A. 
- Clar! for $8,000. ‘Senator Clark also bought 
| Bonnat’s “A Little Homan Gin?” for $4,100, 
i re asture— ~ 
oe Hearn Govepe: “Ttalian Maiden” 
for $4,400 K. G. Billings paid, $4,100 for 
ré'B- “Village ‘Road;* and the same 
re for the same ginter’ 5 “Windy Day.” 
r Schreyer’s.”’ “Travelling. in.‘ Russia” 


canvases ‘b William Hart; N. -A., 
oe Hows, Ne mAL, 


_ that . the Troyon 
the, canvases peat among 


, sold ‘respect 


Sin 1883. 


| as. osuneed a 
| the following . tables” e 2 : 


orgs A? Dowden ‘of Newark. paid $6,800. 


in hed 


"THe Ron Rotndelay,” de, ‘Cuviite: Bleak. $1600 
2. The an. kay the 'H unt,” es ie | 
8. “AOK Guile t Game, Haba. iiss Orgran 800 | 
4.. “A Side Catalin. mnt stadia Ls ae Bh pie 

Bo Dutch: ‘Gana > Fou: kind: Schaus.. 1,900 

6. “Cattle oat, Warring * place,” ‘Hart; i Deana) 

MORIN ONS Cola gis, chs tackias sic eS cna ure ots 600 

7. “The Despatch * Bearer,” Pasin!;’ Scott Pe 

of pct GT ROVE ED Ac Ged UY ailese hierdie 6 Plo ake vo sorte “4,526, 

8 py eec ate of the Artist and: His. Favorlie ult 

Dogs” “Knaus: A: ‘Relsinger... eA Ne ant 600 
‘9% “Motuer: and’ ‘Lnfant,” ne rs; Schaus.. + 280 
10. “Madonna and . Anant,’ Kaulbach; W.. Bs 
HOUSE SULETNAMY ctr aa ee cae Tus 5 yes oe ae ec une ele 400 
11. “The Watering Place,”  rroyon:: W. A, EN 

CATE Gi i tral hers eh e stv iso syn ed ace sea Re 8,000. 

2; “Thais,” Robert-Fleury;, T, Raiston” “189 

Seger tant , Henner, » Otto,» Beraeit: py 

14, “Banks of the Oise,” ‘Daubigny: Knoed- ‘eg too 

C2240 SHEE Er Fee HMO OH Geer HE Hee oR ee Oo ry 

15. “Cows. “fn ‘the. Valley, Boudin; Me B. RY Tie) 

MGTCAIT iid ceca iene teaiiaies each aew ate .900 

16. “The Marriage Contract.” Gallegos; F, 

sh PARK LIVLID (ace alseate eu alah teal eiuls eee watzale 1,300 « 

17. “Landscape,” upré _ 2,500 
18. "A> Shophowdess >: Gindltva Mrs ‘Franke 

a FAM an cera neon Ss ores ee vas ‘800 

19. "The Lap Dog, * Diaz: A. "Reisinger. . coo 1.000 

30: “Landscape,” .Coret; ‘Knoediler:..... 02 4,700: | 
21. “A Little Roman. Girl,” Bonnat; W. ‘AL 

BE aie ee eee ly wiericteyics ieee elds wees 4,100 

; 22S “Phe, ‘Sheepfold,”. Jacque: ae fescue: A BOO 

ay sie Vilage, Roads” Dupré, C.K. Ge a) 

i Wo af arpa i Ny Se ea US GH eae TERNS 4,100 

94.."Plotard ‘Willows: De Thoren? Blank... °° 830) 
cia pec a Garcon,” Greuze;_ Charles. Fen- ‘ae 
26. “The, Mabon? 2. Diaz: Knoedler 4,000 
ch Pee ie yer Coast. Isle: of. Wight,” : Morland: y Ne 

: GEVIMAM Di cic asi oaanasla aces ee sale 
28... aprotelne tor ae: Bal: ‘Masque,’ ”" Mad-" © i 
razo; Fischh -800 
28. Paks s.3 Him’ Cob Kauffmann; A o. 

| #2. Deshonge., Se Wie 475: 

| 80. “Landscape,” Tangasent “Blank. . eve eea ~:, 1,650. 
31. “The Bather,” Renoir: Dutatid “Ruel; ‘ $25 
32, “Love-Makinge,” Detregger: Fisehhot .. = 600 
33. “La Tour d’Esbly,” Corot; F.-Herrman 3,150 
ve ee the Sand’ Dunes, ” Seder? EB. McMil- 1s 
35. “study. of 4. Head,” Munkacsy? oe Reis- ant 
36. “The Stirrup Cup,” Grison; E. R. Pere yas 
37, “ptude’ de Beuf,” Troyon;’E. MeMillen 2,500. 
38. “The First Visit,” Jacquet; Fischhot. «ss 2,000 
39. “A Windy Day,” Dupre; CO. KG G. Billings 4,100 
40.;“*Going - to Pasture—-Early:. Morning,” 

Mative; Knoedler.. Bink awk sities Rone aes . 500 
41. “A- Flirtation,” Worms; L. Bamberger. . 725 
42. “Returning from. |, Pasture--Bvening,” 

-Mauve: W. A. Clark Sie Cue wily Deeeceage 7300. 
43. “The: Park,” Boehmet; De Rutter: .0005 5. 125 
44. “Milking Dime,” Lisneli, Sr.: E. MoMillen: - 33,100 > 

45. “St. Cuen,” Lepitie; H. Reinhardt,...... ,500 - 
46.-!T He. ‘Headquarters: Flag,” De 'Neuvilie; eu 
POS BN Sug  POLONELS G/U pis Saisie, Ss anals cate wie are “2,100 
47, “Returning: from Pasttiré,” Howe: PP. W. 

Wat 8a BR OUISB Sosiid Damn aid amore ides wel ate AMEN lew ae 875 
48, “The Goose Girl,” ‘Chialiva: ‘Bla iss eres 5-600 
49, vane Seamstress,” iene cott & i 

Fowles: ace ‘ ‘8,900 
50. "A enh. “Village.” “Bameley; hee We Si ia 
AL. “Hounds’in Leash,” De Penney Schaus,: ‘ “400: 
52. “Reconnolssance From. the Windmill,” --.... 

3 == Detalilles 1: Guggenheim... Bien ree ee 4,000" 

BS. wa. Southern Swamp,” Meeker; :P.:.G. 
Goodhart. Woh oi 8 vie imp aben vert Sain MR 
54, “pxpectation,” ° 4 “Meyer; ME. E Bern- es 
S NOUNS PE as Sy agebed ys ele anes Ri wena cot nal 2,850 
56. “Sheep Under ike’ “Trees, ‘Jacdtie: J. 
QenMe Rae siiw dk wat eae Ge wceloning ‘2,800: 
56. “La. Plerrette,’ Madvaso: J. de. WwW. Cut- See 

57. “Landing ay Sand Barge,” J. ‘Marie: Caril 

Hes De SuvVera lcs Seid it oa owas ele 4,100 

68, “Italian Maiden,” Corot; W. A ‘Clark... 4,400 
59. “The Bridge at Saint Privé,” Harvie. ‘A 5} 

TCH OEMION aires er Gans Mahe Meu u ane wiles 2,800 
60. “Tae Bathers,” Souza-Pinto; R. R. I. Rose.. 725 
61, “Early Morning’ in the Redoubt,” Berne- 
Bellecour: J, Epstein. ek) ee 1,400 
62. “Flowers,” Harry Chase: F. Rocriien | 60 
63. “Fruit,” Harry Chase; W. Sittenham.. 70 
64. “Tr avelling in Russia,” Schreyer; George 
SATA LIOW ELEN cepite sd coy aetgimolecslsteale ein els nese, 6,800 
65. “In Expectation, Niezixy: Blank..: Petey 325 
68. “The hb hadinn Trough,” Dagnan-Bou- 
veret; Di Ruston...) 0... Vines hacia 1,600 


selemndeiaemenaimemmincmetediessensimbenns” iinet ca ee ee 


tat Dye a 


fo ee 


Got i Pain ee, 


e 9 seen 
Siw lahat 


@8 oe de eves es ee. ede se bx “ 


vre: | Ralston... -1.*7 
; rota Boudin; 


‘a. aha 


UTP E SP eA ee sev awen f 


4 r ae aie sniteiesttee to, a 


s 
eee MES Seber 


"$176,000 FOR PAINTINGS. 


‘eau Ss Works of Famous Artists 
4, se hy Bring Good Prices. 7~ /~ Te 


For ies eighty-eight paintings and four- | 
teen works of sculpture comprising ‘the J. 
Ww, Kauffman collection $176,695 was realized | 
at the sale in Mendelssohn Hall last night. | 
It was a great night for the Frenchmen, the 
men of the Barbizon school coming into 
their’ own again in: spite of the fact that 
several Dutchmen’s works were sold. Mr. 
‘Kauffman had. collected names, and the 
‘puyers present bought names, although one | 
ae who bought a Kemmerer was too | 
ashamed of his taste in art to give his ° 
ao The se eee price of the night was 

paid by Fischhof for Van reke’s 
Aye ‘from Pasture.” Isaac Guggenheim 
paid $6,800 for a Vibert, ‘‘The Church in | 
Danger,’’ and Scott & Fowler obtained | 
| Lehrmitte’s ‘‘Blaze of Noonday’”’ for $6,200. 
- A story-telling Munckacsy went to Henry | 
ee for $3,500, but to show that the 
idders were not entirely lacking in taste 
Didebere s ““Psyche”’ only brought $950. 

Henry Reinhardt paid the big price of 
, $6,600. for Cazin’s ‘‘Thornfield Castle,’ M. | 
‘H. Lehman gave $2,100 for Delacroix’s © 
“Arab Fantasia,”’ Emerson McMillan gave | 
$3,500. for. Harpignies’s “Willow Near the 
} River,” and ‘George A. Dowden paid $6,900 
for Schreyer’s ‘‘Traveling in Russia.” An- | 
| Other Harpignies went to Knoedler & Co. | 
' for $2,600; Senator W. A. Clarky A 
his. first ‘appearance at a sale this season, 
gave $4,400 for Corot’s. ‘‘Italian Maiden,’ 
$7,800 for Mauve’s “Returning from Pas- 


-ture,’’ $1,600 for Jacques’s “The Sheepfold’” 
‘and $3,000 for Troyon’s “The. Watering: 
Place.’’ Knoedler & Co.. gave $6,700 for | 


-~Daubigny’s ‘“‘Banks of the Oise’; Hugo 
' Reisinger gave $4,700 for a landscape by 
Corot, and Knoedler & Co. paid $4,100 for 
-Bonnat’s “A Little Roman Girl.” C.K. G. | 
Billings paid $4,100 for ATE: s “Village — 
Road.’ oH 
A feature of the sale was the large prices 
paid for tiny pictures. A Madrazo 4 by 7 
pene prought $800; a Diaz, 6 by * inches, 
$1,000. and the $4, 100 Dupre was only 8 by 6 
inches. The Corot that went for $3,150 was 
only 10 by 12 inches. paul 


yscape—J ules ahi of op EE VW evs ore yey yy 
hialiwe + RAwma 


EL. Kirby was “aubtionesr,, 


’ from Pasture—Evening ai 
Mauve, for $7,200 an unust 
“Corot, 


Guggenheim for $6,800, 


™ 


a Oban Gavan 
Schaus, $1,900; 


' $2,000; 


Quarters = Migey 


Interest _ contin in: ‘auentes ¢ 


| Marcke’s rks: from -Pacture wh 


“An Italian Maiden, 40 
and Trovon’s “The. bales phot Pl 
tor $8,000. 
For Cazin’s “Thornfield. 
ry Reimhardt paid $6,600. 
“Church In Danger’? went” 


Other sales .were: 
Hennier, O, Burnet, ajgien 
Despateh Bearer,’ A, Pa 
Fowles, $1,525; “Banks of. 
F. Daukigny, Knoedik 


Grenze, Cc. 105. 
a’ Eisbly. BD = FE Corot, 
$3,150. ““Htude de Boeutf,” C 
‘McMillan, $2,500; ‘A. Wi 
Dupre, -C. Ki Gr Filling: 


‘First Visit,” d) G. Jacquet, | 
ere img tio bastureiomat 
Yani" AR Mauve, Knoedler & 
“Landscape,” J. Bo Cura 
Co., $4,700; andiG 
MET) ‘Walker. $2.5 “Phe ) Vill 
J. Dupre, C. i. re Billings, $4, 
Blaze of Noonday,’’ L. 1’? berm 
& Fowles, $6, 200; . Loadin 
Barge,” J. Maris, "Corl. De 
“The Willow Near the Rive 
pignies, HW. McMillan, ue 
S. Flower, $2,100;° ae 
Josef Israels, Scott & 
“Reconnaissance ifr 
HE. Detaille, Issac Chere 
“Sheen Under the Trees,” | 
J.. Oehme, $2,200. 


- Auction Bring a Total of 
? $176, my, a 


Ea 8 y vy 
ie Gd 
SONE HIGH FIGURES BID. 


Sd 


Hi 
Nendelis sien Halt Crowded with Art Lov- 
ers, Dealers and Colléctors—Ocea- 


sional pir ted Competition. 
ict hits hes. were no ae features 
the sale of the pictures collected by the 


J. W- Kauffman, of St. Louis, at Men- 
celeschn all last evening, such as the dis- 
of a Mauve for $40,200, which was the 


fe 
| 
\y 
in 


chief incident of the Waggaman sale last 
week in the same hail, the auction resulted 
in the unusual total of $176,695 for eighty- 
eight. pictures, twélve | pieces of mars 
sculpturé and two bronzes, 

i . The audience was 4) large and interested 
one, and the pricés realized for the pic- 
tures were mee the whole satisfactory and 


3 Sunprisi y good, Mr. 
UGE the Aractican Art 
inne ee and. : 

not spir- 


ips he chi important. 
Ber Sad ‘to labor, however, to 
secure even fair bids for the marbles, 
wihich Oct! for much below their 
sale was not a lively one, 
ltaieed at the Ghose, tf 
were put up, and d wh 
audience left the hail. 


and 
when the sculptures 
én two-thirds of the 


There were many prominent collectors | 


present, including Senator W. A, Clark, 
who came on from Washington for the 
sale and secured several important can- 


vases, 
| The highest figure of the sale was $9,600, 


paid by Mr. Eugene Fischhof, the Paris — 


for Van er ee 3 ‘Return from 


ee 
ure,’ which uffman purchased 


Rees Knoedler & Won in 1889. This is the | 


‘most characteristic and charming example 
‘of the great, cattle 
‘to Lik auction plock 


aes The two characteristic but not great ex- 
amples of Mauve, ‘“‘Going to Pasture— 
Barly Morning” and ‘Returning from Pas- 
roma Wine ts which it had been thought 

id bring high figures after the remark- 

e sale of a Mauve last week, brought 
respectively only $5,700 and $7,300, "and were 
fee oc e first by Knoedler & Co, and 


in New York in many 


‘ second ae vot a od Clark. 4 4 
oollector secure a@ ne 
Wesson, he Watering Place,’”’ for $8,000. 
‘Mr. Isaac Gigzenheim: paid $6; 800 for Vi- 
bert’s ‘“"Fhe Church im Danger,” and Mr. 
lseomne fH. Dowden, of Newark, $6,900 for a 
jsuperior example of Schreyer, ‘ermravelling 
‘in Russia.’’ 
. The low prices obtained for the marbles 
ve again how markedly the modern 
talian statuary and sculptures, so popular 
and fashionable a few years ago, have 
gone out of vogue, Two busts by Gallandt, 
of Apollo and Antinous, with handsome tal 
pedestals of yellow antique marble, sold 
respectively for $200 and $210. Mr. Kautf- 
man presumably naid these figures for the 


f Kauffman Art 


eer seatplired Dispersed ‘at 


ainter which has come - 


Treasures 


ohh Bu kar a pM ad 


‘(pedestals alone, A statue, ‘he -veilea wor 


Sat- 


Ris. ” by Androni, of Rome, was secured by 

r. Max Bernheimer for $155 and Mr, Hugh 

.|\Murray paid only $410 for a charming) re- 

‘production by Gallandt, of the ‘‘Crouching 

7 |Venus, ” An original by Gallandt, ‘““Pun- 

lot ete of Cupid,” brought the better price 
of $7 

The two bronzes sold comparatively well, 
Mr. D. Dery paid $160 for an original 
Moreau, ‘‘“Vigneuse,” and an agent bought 
another Moreau original, a large. group of 
two figures, ‘Immortality,’ for $530. 

The pictures which sold for $1,000 and uwp- 
lward, with artists’ names, titles, buyers’ 

“names when obtainable, and prices 
brought, follow :— 
“a Dutch Canal,” J. D. Jongkind; H. 
Firat (sa edine OURO en TSN AAO Ce MOUS Ie WNP RAD Ut tT $1,900 
1 “Phe Desa tek Bearer,’’? A. Pasini...-... 1,525 

The. Watering Place,’’ Troyon; 

MEST SIE rae ae ties e AINE Bw ia: Bi teig a LR aa eMainl whale 8,000 
“Innocence,’’ J. J. Henner; Burnett, agent. 2,600 
“Banks of the Ofse,’”’ CG. ¥. Daubigny: 

Knoedier & COs. .60 cesses tee see ee ae 6,700 
“The Marriage Contract,’ * J. Gaillegos; e 
PRM eRe elateia are a dee appa areata: gel ea 1,800 

“TLandscape,’ cians G. H. Walker. . 2,500) 
“The Lap Bow! N Diaz: H. Reisinger. 1,000 
Landscape, J. B. wee Knoedler & ae 4,700 
“* Littl Roman Gin ” |. Bonnat; W. A 

Rai Oe fey mee ehpuntiges aien tiaila ace ate Bal eee. LOS 
“The Sheepfold,’’ ie Eu Jacques cess 2 »000 
“Phe Village Road,’’ J. Dupré; C, K. G 

BRN 5 ha Peele vee wie ieie's © whe sien gens = 4,100 
iB les lies Garcon,’ J. B. Greuze; Charles + one 
“Phe gr oN. V. Diaz; _Knoedler & Co. mats 
Landscape, T. Rousseatl... 1... - essere es 00 
‘Love Making.’’ KF. Defregger: B Pisehhof 1,600, 
ye Ti Nesey a@’Esbly,’’? J. B. ©. Corot: F. cane 
fetude nae Boeut,’’ O. Troyon; 5, MeMillin 2,506 

ombe Hirst  Viisyt,”’ J. 1G; "Jacquet; B, 

TUSGHHOE oS eS Pa eae aeie lala bis Wisio’e Maynieiale 2,000 
“A Windy Day,’’ J. Dupré; GC. K. G 

Baling 6 eels eee ig Se ose wa eine e twine eg 4,100 
“Going to Pasture; Early Morning,’’ .A. . 

Matve; Knoedler she STE, eaten an « 5,700 
“Returning from ie Evening,’’ A. | 

Mauve; Pate MMUREIS: 8 OSS Tila mo nie a alee 7,300 
“Milking Time, jaa # FT anol Sr. 7 Ey ‘Me- 

MOV es ii Wie a i one alata ofa be ak Wi cise 1,100) 
“st Ouen,”? J. uepine; Henry ‘Heinhardt. 1,400, 
“The Head uarters Flag,’’ A . De Net  _ } 

ville: F. WIOMIAMS fos dcibecne we aes ale aig 2, LOO 

“The ‘seuinatrass,’! Joséph Israels. .i..: 8,900) 
‘“Reconnoissance from the Windmill,’” E. 
| Detaille; I. Gu rPeMHEIM. 6 cee ee eee sees 4,000) 
“Bxpectation,” | Meyer von Bremen; Max 

Pernhewmiver ois ce elekin oie diwleodige Seve alors 1,350 
Se ean Lot ad the ‘Trees,’ C. B. Jacque; biaee 
hy Pionrette,’ oR De Madrazo; J. ad’ W. 

WP AOUGtINE sh sake eee eee sre ee ees gale 1,000 
Toading a Sand Barge,’’ Jacob Maris: 

Carll de Silvia... 0... se kee te ee tee 4,100 
A Maiden,” J. B. C. Corot; W. A. abe 
CAE yo 2 Ce IW EG Bie Siete peels aa nie meats ; 

‘The Bridge at Saint Privé,” H. THar- 

pignies; Kmmoedler & ‘CO... +... sees nees 2,600 
‘Warly Morning in dowbt,’? EH. Berne- li 
| Bellecour: J. Hpsbein. ...-.. sess e eee e es 1,400 
“Travelling in ‘Russia,’ \A, Schreyer; 
| George H. Dowdle... cesses ssese resins 6,900 
ihe Watering | Trough, xf DagnansBou- 
| vyeret: Louis Ralston. . Bese) win Grain ata 1,600 
“The Willow near ithe ‘River,?* i. Harpig- 

mies: EB. MeMallin. p00. e eres neg as sens 8,500 
“Snow Ritect.’ Clatide ’ “Monet;’ Durand an 
RNPRRAER So Mich gh cae wie lare ele te eierete: Bod tel ace OR eire AUR Ei 4 
san Arabian Fantasia,’’ i Delactoix: L, 

FL. Lehman. ...1s66 sseesecens i ee ee ries 
‘“ungarian Market, 9 0. De ‘Phoren,... a 
|*“Thornfield bade J. CG. Cazin; ‘Henry 
| Reinhardt..si, ees e ees ee eet t ie nde es 6,600 
‘Return from Pasture,”’ B. Van Mancke3 
 P Biscbhof.....se+ ee aee eres ee Seen 9,600 
“Hvewing on the Thames,’? B; W. Leader; 

189 Smith. seen eee cee ee ee ae 1,900 
leone Church in Danger,” wT, G. Vibert; t 

Guggenheim .ys.csseesecevesecterns ere 6,208 
‘(Phe Blaze of Nogneey a iW “TE? Hermitte. 6,200 
“A Riding Party,’’ Goubie; Henry H. 
bh Palmer secs eee crete r ree ser sees ad uyiss 1,000 
pony ‘i ae Munkdesy; Henry 

Reinhardt ssvcessesedeecyeres eases nace 8,400 
Ye Fs daacaniy KF. H. Kaemmerer; H, Ww. ‘ 109 | 
“On ie Road to. Market, a ron De Thoren; 

Ts. Bamburger, .. 6... cer saan 1,100 
‘phe Beach at Etretat,’’ B. Boudin; "Flugo 

RMeiNGer .reveseccevecrsseerrrreevrers 1.800 


The dealers present expresseu_ then 


gave as their opinion that, following that! 


isfaction with the result of the Sale and 
of the Waggaman collection, it signifies 


the ontinued popularity of modern foreign 


pietures. 


Ry rR, en 


FOR A VAN MARCKE, 89,800. 


i, EMS ROLES 


Uoatcn ore. Spends Over - $28,000 
at Kauffman Painting Sale. | 


The sale of modern paintings and sculpture be- 
longing to the late J. W. Kauffman, at Mendelssohn 
Hall last evening, realized $176,695. The highest 
figure reached was $9,600, for “Return from Past-| 
ure,” by Bmile Van Marcke. The bidding “was | 
started at $3,000, and the painting was finally 
knocked down, after a spirited competition, to. 
Eugene Fischhof, the collector, of Paris. — | 

“The Watering Place,” by Constant Troyon, was 
‘started at $5,000, and was bought by Senator W. A. 
Clark for $8,000. Senator Clark was also the pur- 
chaser of “Returning from Pasture—Hvening,” by 
‘Anton Mauve, for $7,300; ‘Italian Maiden,’* by 
‘Corot, for $4,400, and “A Little Roman Girl,” by 
‘Bonnat, for $4,100. Isaac Guggenheim bought for 
‘$4,000 ‘‘Reconnoissance from the Windmill,” by 
Edouard Detaille, and Carll de Silver purchased for 
$4,100 “Loading a Sanding Barge,’’ by Jacob Mast 

Other sales over $5,000 were: 


“Banks of the Oise,” by Daubigny: Knoedler & Co..$6, a | 
| “Going to Pasture—HParly Morning,’’ by Anton 


Mauve; Kroedler & Con... ces se ccnp cceeewerecenes 5,500. 
“Travelling in Russia,’’ by. ‘Adolf Schreyer; George | 
Tu OREAC CEs ats SS PRESS SNS De GC Sah Phat 6,900 | 


“udu Dowde Castle,’’ ‘by Cazin: Henry Reinhart..... 6,600) 
ihe Church in Danger,’’ by Vibert; Isaac Guggen-— Sane | 


ae Blaze of Noonday,’’ by Léon Lhermitte; sane 
& OWES. oe cee cee alas, we we a otal tghalahareis aig gists aia: Sia afaie ; / 


ane \ 7 
4 
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* 


THE ART COLLECTION OF 
THE LATE 


J. W. KAUFFMAN 


ON VIEW DAY AND EVENING AT 
THE AMERICAN ART GALLERIES 
FROM SATURDAY, JANUARY 281TH 
UNTIL THE MORNING OF THE 
DAY OF SALE, INCLUSIVE 


SALE AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


FRIDAY EVENING, FEBRUARY 3rp 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


Subscriber’ s Copy ‘No. Ho . 


EDITION LIMITED TO TWO HUNDRED COPIES 


» 
a + 
re 
b 
e 
* = 
. 
ate € 
. 
4 
* 
- 
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~ 


COLLECTED BY 


; _ Tur LATE 


= KAUFFMAN 
ee od NN ede 


A. 


MRS. N. B. KAUFFMAN, EXECUTRIX, ON THE 
DATE HEREIN STATED 


“THE SALE WILL BE CONDUCTED BY 
r THOMAS E. KIRBY 

Mee or THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK: 1905 


Press of J. J. Little & Co, 
Astor Place, New York — 


, 


wae 
wer 
* 

Ny. ee 
Pet 


rN 


AND INDEX 


2 


ICAL NOTES 


Germany 
Al titer of genre subjects. Studio in Munich. 


i | 
| “MornER AND INFANT 9 


| BARNSLEY Tee: United States 


_ Contemporary. 
e ss A. FRENCH VILLAGE Rone Paige 
: pee YE HELLECOUR (ETIENNE) France 


_ Etienne Berne-Bellecour was born at Boulogne-sur- 
ak ie on the 28th of July, 1838. At the age of nineteen he 
became a pupil in Pasis of Picot, supporting himself while 

_ he studied by working as a photographer. In 1868 the 
_ painter Vibert, who had become his brother-in-law, induced 
him to give up photography and devote himself entirely 
_ to painting, and his success was almost immediate. He 
abandoned landscape, took to figure subjects, and com- 
menced to paint the military pieces on which his future 
reputation was to rest, making a voyage to Algiers in quest 
of motives. The war with Prussia recalled him to France, 


Ve and he served in a regiment of franc-tireurs, receiving a 
iy military medal for gallantry under fire. At the end of the 
Bi a 

ae 

i 


travelled in England, resided in Russia as the guest of 
Czar Alexander II., practised with success as a sculpt 
and an etcher, and was made a member of the Legion of 
Honor in 1878. | 


EARLY MORNING IN THE REDOUBT 


BOEHMER (@. ) ; 2 


_A genre staan of “peas \ 


THE PARK 


BONNAT (LEON JOSEPH FLORENTIN) 


Born at Bayonne in 1833. He first studied ‘under - ° 
Madrazo in Madrid, and after some time with his Spanish — 
master he went to Paris and became a pupil of. Léon 
Cogniet. In the competition for the Prix de Rome he 
took the second prize, which did not entitle him to a full — 
scholarship. His friends, however, came to his assistance, — 
and he spent four years studying in Italy, where he ao Ag 
a good many Italian subjects, chiefly studies of peasant life. 
He has received many honors in his profession, the chil 
of which are medals at the Salon in 1861, 1863 and at the ~ 
Exposition of 1867, and a medal of honor at the Salon 
in 1869. He was made Chevalier of the Legion of Honor oe 
in 1869, Officer in 1874, Commander i in 1882, and Grand 
Commander in 1897. Member of the Institute of France. 


A LITTLE ROMAN GIRL j 21 


-_- BOUDIN (LOUIS EUGENE) France 


It was Boudin who advised Monet, disgusted with his. 
brief experience in the studio of Gleyre, to paint only from 
nature. Among the marine and landscape painters of 


_ France he occupies a foremost rank. Whether painting 
the coast of France, or glimpses of her ports, or frag- 


ments of river scenery, he displays an intuition of the main 


-. characteristics of the scene, and renders them in fashion 
et spirited or impressive, as the occasion needs. Few painters: 
“have ever rivalled him in the skill with which he depicted the 


animation of wharves and shipping ; his atmospheric effects 
are particularly good; he could saturate the scene with 
fresh moisture or enliven it with breeze. His ability to 
express in broad simplicity a lattice-work of masts, spars 


and rigging, or an ample stretch of sky and pasture, is 


equally admirable. His studies of cattle also rank among 
the best. He was born at Honfleur in 1824, and died at 


Deauville, August 8, 1898. 


Pome in THE VALLEY | 15 
THE BEACH AT BTRETAT 88 
BROWN (JOHN LEWIS) France 


Born at Bordeaux, the 16th of August, 1829, of a 
family originally ‘English. He became known by his 
studies of horses and dogs, sporting scenes and military 
subjects. He gained medals in 1865, 1866 and 1867, and 
a gold medal at the Exhibition of 1889. Mr. Brown was 
decorated with the Legion of Honor in 1870. He died in 
Paris the 14th day of November, 1890. 


THE MORNING OF THE HUNT. ~ | 2 


% 


a 


CALLCOTT (SIR AUGUSTUS W.) England — 


Born in Kensington, London, in 1779. Brother of Dre: i a 
Si ie . ° “iris. ‘PL wheee 
Callcott the musician, and himself began life as a chorister 


in Westminster Abbey. Studied at the Academy under oh 
Hoppner; first exhibited portraits; after 1803, landscapes, .. 
chiefly river and coast scenes. Later visited Italy, and 
painted “ Italian ” landscapes; also executed two subject- — 
pictures, ‘‘ Raphael and the Fornarina ” and “ Milton Dic- 
tating to his Daughters.” Appointed Surveyor of the 
Royal Pictures. Died in Kensington in 1844. 


CLASSICAL LANDSCAPE 17 


‘CAZIN (JEAN CHARLES) France 


Born at Samar, in Picardy, and a pupil of Lecog de © 
Boisbandrau, Jean Charles Cazin won his first medals at 
‘the Salon in 1876 and 1877, by figure subjects. Eventu- 
ally turning his attention to landscape, he speedily secured 
recognition as the creator of a new and distinct school, in 
which are combined poetic sentiment and broad, free and _ 
simple treatment, but with close adherence to the organic _ 
facts of nature. He had been a Member of the Legion of 
Honor since 1882. In 1894 he visited the United States, 
-and made an exhibition of his works at the American Art 
‘Galleries with great success. His wife and son are also 
artists of ability. Cazin died at his country seat near Paris 
in 1901. : 

**M. Jean Charles Cazin is one of the most original 
-and fascinating personalities in contemporary French art. 
For this man painting is not a commerce, but an inspira- 
‘tion; he does not sit down with the commonplace purpose of 


‘ ry 


ie 


making a mere literal transcript of reality but rather uses 
nature as the means of expression, and, as it were, the 
vehicle of an intimaté ideal; possessing superabundantly 
that intricate combination of intuitive perceptions, feel- 
- ings, experience, and memory -which*we-call imagination, he 
dominates nature, and manifests in harmonious creations 
the enthusiasm, the passion, the melancholy, the thotisand 
shades of joy or grief, which he feels in his communion 
with the great sphinx.”—-Turopore Cuitp in Harper’s 
Magazine. 


THORNFIELD CASTLE 72 


CHASE (HARRY) United States 


Born at Woodstock, Vermont, in 1853. He was a pupil 
of the school of the National Academy of Design, of the 
Bavarian Royal Academy in Munich, of Soyer in Paris, 
and of Mesdag at The Hague. He was an Associate of the 
National Academy of Design, and a Member of the Ameri- 
can Water Color Society. Died 1889. 


FLOWERS 62 
FRUIT 63 


ANSWERING THE SIGNAL—OFF THE FRENCH COAST i719 


CHIALIVA (LUIGI) Italy 


One of the Italian colony of painters in France, 
Chialiva has chosen the neighborhood of Ecouen, in Nor- 
mandy, for many of his pictures. He shows a preference 


for pastoral scenes with a glimpse of river, and is fond of 


introducing shepherdesses and goose-girls with their flocks. 


A SHEPHERDESS 3 18 
THE GOOSE GIRL | 48 
GIRL TENDING TURKEYS 84, 
COROT (JEAN BAPTISTE CAMILLE) France 


Born in Paris, 1796. The son of a court modiste, 


Corot was destined for trade, but at length was permitted 
to study art by his father, who allowed him an annuity 
of twelve hundred francs. From the studio of Michallon 
he passed to that of Bertin, with whom he also made his 


first visit to Italy. With figure subjects and landscape in — 


the classical manner he made his entrance at the Salon and 
obtained sundry honors. In 1843, however, after his re- 
turn from his third visit to Italy, he came under the in- 
fluence of Rousseau, and was led by him to recognize the 
beauty of French landscape. Though nearly fifty, he set 
to work as a student, and during the next eight years 
gradually reached that style of delicate truth to nature 
and of exquisite poetry in which he is unapproachable. 
Twenty-five years were still in store for him, and during 
these he produced his masterpieces. Devoted to music and 
to his friends, Pére Corot retained his youth to the end, 
which came peacefully in 1875. 

*“Qn his death-bed his friends brought him a medal 
struck to commemorate the jubilee of his seventy-ninth 
birthday, and he said: ‘It makes me happy to know that 
one is so. loved; I have had good parents and dear friends. 
I am thankful to God,’ With these words he passed away 


iA 

i 

KS 
a, 
chy 
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F 
tt a 
oh 
44 


ear 


Be a ‘nineteenth century. 


E 
Bie 
J 


a 


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; a the sweetest poet-painter and the ‘ tenderest soul of the 


on9% 


; a4 LANDSCAPE 20 


> 


LA TOUR D’ESBLY 33 
ITALIAN MAIDEN | 58 

_ CUVILLON (R. DE) © France 
Contemporary. 


THE ROUNDELAY 1 


DAGNAN-BOUVERET (PASCAL ADOLPHE J EAN) 


This artist was a pupil of Gérdme and made his début 
in the Salon in 1877, and in 1878 he received a medal for 
his *“* Burial of Manon Lescaut.” In 1880 M. Dagnan- 
Bouveret received a first-class medal; in 1885 the Legion 
of Honor, and in 1889 the medals of honor at the Salon 
and the Universal Exposition. More his own country could 
not do for him, except to support him with her patronage, 


_ and this she has honestly done. Commencing on the foun- 


dation of neo-classical art which characterizes the Géréme 
school, M. Dagnan has created a school of his own, in which 
he has many followers. He is absolutely free from any 
of the mannerisms or conventionalities of academic train- 
ing and equally free from any personal affectations of 


technique. Bastien-Lepage, himself an artist of a very 


similar type, held him in the highest esteem, and since the 
death of his friend, M. Dagnan comes closer to taking his 


place than any other artist of the day. M. Dagnan takes 


his surname, Bouveret, from his mother, in order to distin- 


guish himself from another artist of the name now deceased. 
He is a native of Paris, where practically his entire life has 
been spent in the studies and the labors of which his works 


are the rich if not numerous fruit. . 
THE WATERING TROUGH 66 
DAUBIGNY (CHARLES FRANCOIS ) France 


Born in Paris in 1817. After studying with his father, 
Edme Frangois, he visited Italy, and on his return spent 
some time in the studio of Delaroche. From 1838 he was 
a constant exhibitor at the Salon, and became identified 
with subjects drawn from the Seine, Marne and Oise, 
navigating these waters in a floating studio. He had 
spent much of his childhood in the country near L’Isle 
Adam, and, as an artist, turned unreservedly to nature 
study. The youngest of the Barbizon group, he entered 
into the harvest of recognition won by the older men. His 
art was delicately individual. He saw everything with the 
curiosity and love of a child, and despite his dexterity his 
work always retained a delightful spontaneity and fresh- 
ness. His death occurred in 1878. 

‘It is quite probable that other men of the Barbizon 
school at times were greater artists than he; they may have 
possessed a livelier poetic fancy; they may have displayed 
a nobler creative genius and wrought with a more intense 
dramatic power; they may have been better craftsmen and 
attained greater heights in the pure domain of art; but 
for close, daily companionship, year in and year out, all 
true lovers of the beautiful in nature must have somewhere 
in their secret heart a snug little corner of affection for 
this frank, sincere, lovable painter of the ‘ Orchard,’ the 


a ed OMe Si See —T - 
MAR eee a 
et Sh es ‘Wiet 
a; : 


* Riverside,’ and the ‘ Borders of the Sea.’ ’—Evtracts 
from biographical notes on Troyon and Daubigny, by the 
late W. H Furier. 


_—s« BANKS OF THE OISE . i 


DEFREGGER (FRANZ) Austria 


Born on a farm at Stronach, in the Tyrol. In 185%, 
when he was twenty-two years of age, the death of his 
father made him master of the farm, and the first use he 

_ made of his inheritance was to sell it and go to Innsbruck 
to study the art of sculpture under Professor Stoltz. His 
master advised him to undertake the study of painting in- 
stead, and he took his first lessons at Munich under Profes- 
sor Anschiitz. Ill] health sent him to Paris for a time, 
whence he returned to his native village, continuing his 
studies from nature till, in 1866, he entered the Piloty 
school at Munich. His reputation progressed from city 
to city, and from exhibition to exhibition throughout Eu- 
rope. He received medals at Paris, and honorary member- 
ships of the academies of Munich, Vienna, Berlin; the great 
gold medal of Munich, the first prize of Berlin, and finally, 
in 1883, his patent of nobility. 


LOVE-MAKING 32 


DELACROIX (FERDINAND VICTOR EUGENE) 


Born at Charenton in 1799. He made his début as a 
painter at the early age of twenty-three with his “ Dante 
and Virgil,” when he was still a pupil of Guérin. But he 
did not long follow the banner of the classicists, for he 


Se 


broke new ground for himself, travelled in England, Spain 
and North Africa, and, although always in feeble health, 
produced a marvellous number of pictures, covering a great 
range of subjects and notable for wonderful richness of 
color and boldness of execution. He received medals at 
Paris in 1824 and 1848, and the Medal of Honor at the 
Exposition in 1855. He was made Chevalier of the Legion 
of Honor in 1831, Officer in 1846, and Commander in 
1855. He was a Member of the Institute of France. Died 
in 1863. 


AN ARAB FANTASIA - 70 


DE NEUVILLE (ALPHONSE MARIE) France 


Born at St. Omer, Pas-de-Calais, 1836. Originally a 
law student in Paris, but later adopted art. Pupil of Picot 
and Pils. Made a specialty of military subjects. Medals, ; 
1859 and 1861. Legion of Honor, 1873. Officer of Le- 
gion, 1881. Died in Paris, 1885. De Neuville was the : 
founder of the powerful and modern school of military 
art which has succeeded that of his masters. Pils and 
Vernet. 

“That France accepted the death of De Neuville, in 
1885, as a national misfortune was the most splendid trib- 
ute that could be paid to the artist and the man. His 
whole life had been a romance. Out of his love of art he . 
had surrendered, at its beginning, the material advantages 
of the career for which his family had destined him. It is 
said that upon his bed of death he thought himself once 
more on fields of battle, and imagined, in his last hours, 
the reality of the pictures in which he had made his coun- 
try’s heroism immortal. Before his fading sight floated 


| the smoke of Magenta; in his dull ears roared’ the cannon 


of Buzenville; he heard, in the echoing chambers of his 


memory, the crackling fusillade of Le Bourget, and the 
shouts of victory in the German tongue. Born at St. Omer 
in 1836, De Neuville had in less than fifty years of life 
created a new military art for France. No man has made 
so much out of the dramatic incidents of war as he. The 
tragic episodes of battle, the individual events of the cam- 
paign, were his themes, for the human appeal they made 
to him was repeated by him on the canvas. Where Detaille, 
his great successor, is a thorough realist, De Neuville al- 
ways remained with a vein in-him of that poetry which ele- 
vates the artist above mere materialism.” 


THE HEADQUARTERS FLAG 46 


DETAILLE (JEAN BAPTISTE EDOUARD) France 


Born at Paris, 1848. Favored pupil of Meissonier. 
First exhibited at Salon, 1868. Medals, 1869, 1870, 1872. 
Legion of Honor, 1873. Officer of Legion, 1881. Grand 
Medal of Honor, 1891. Detaille, at his present early age, 
already leads the military painters of France, and has re- 
ceived the highest honors for his patriotism-inspiring pro- 
ductions. 

* Tetaille was one of the few pupils of Meissonier whom 
the master ever took into his studio, and the one whom he 
loved above all others. Meissonier it was who influenced 
him to make military painting his forte, both because he 
had a talent for it and because that line of art would be al- 
ways popular among the martial people of France. ‘The 
finest portrait of Meissonier ever painted is in one of De- 
taille’s pictures. The master is shown standing at the curb- 


Va uve oe 
ge , 
¢ 


stone, in a vast crowd, watching ‘ The Passing Regiment,’ 
and is depicted to the life. The picture was Detaille’s first 
great success, and now belongs to the French Government.” 


RECONNOISSANCE FROM THE WINDMILL 52 


DE THOREN (OTTO) Austria 


Born in Vienna in 1828. Animal and landscape painter. 
Studied in Brussels and Paris, taking up painting in 1857, 
after having served in Austrian army in the campaigns of 
1848-49 ; returned to Vienna in 1865 and afterwards settled 
in Paris. One of the best of living animal painters. Mem- 
ber of the Vienna and St. Petersburg Academies. / 

Medals: Paris, 1865; Munich, 18697 Vienna, 1882. 
Chevalier of the Order of Francis Joseph. Russian Order 
of Vladimir. 


POLLARD WILLOWS / ot 


HUNGARIAN MARKET 71 


ON THE ROAD TO MARKET 85 


DIAZ DE LA PENA (NARCISSE VIRGILE) 


France 


He was born in 1807 at Bordeaux, whither his parents, 
who were Spanish, had taken refuge from the Revolution 
across the Pyrenees. Losing his father early, he was 
brought to Paris by his mother, who supported herself by 
giving lessons in Spanish and Italian. Through the bite 
of a poisonous insect he lost his leg and stumped the streets 
of Paris as a lame errand boy until he obtained employ- 
ment in the porcelain factory at Sévres. But his inde- 


Pera te er re re 


pendence cost him his position and, thrown upon his own 
resources, he painted little figure subjects of nymphs. 


Finally he met Rousseau, whose influence drew him to Fon- 


tainebleau and to landscape. Now commenced the art on 


_ which his fame endures—subjects drawn from the recesses 


of the Forest, where the play of light was most enchanting, 
and rich harmonies of tone called forth his brilliant powers 
as a colorist. Often he would people them with figures, 
glowing masses of hue set amidst the verdure. In 1876 he 
was attacked with an affection of the chest and sought 


_ Mentone, but only to die there. 


THE LAP DOG 19 
THE MARSH | 26 
DUPRE (JULES) _ France 


Born at Nantes, 1812. Learned to paint on porcelain. 
Studied from nature and the old masters in the Louvre. 
Exhibited at the Salon, 1821, and won the favor of the 
Duke of Orleans. First Salon medal, 1833; Legion of 
Honor, 1849; Officer of Legion, 1870. Died near Paris,, 
1889. 

*'To a purchaser who was teasing him to finish a pic~ 
ture in a few hours, with the aid of that sureness of hand 
and eye which he has acquired, Jules Dupré replied in my 
presence: 

*¢* You think, then, that I know my profession? Why, 
my poor fellow, if I had nothing more to find out and to 
learn, I could not paint any longer.’ 

“In these words is his whole life of search and study. 
Truly, the day when self-doubt should vanish from an 
artist’s mind, the day when he should not feel before his 


canvas the trouble which throws the brain into fever—on 
that day he would be no better than a workman taking up 
in the morning the task of the evening before, ploddingly 
and without hesitation, but also without mobility. The day 
when Jules Dupré should open his studio without a thrill 
and leave it without discouragement, he would consider that 
he had arrived at the end of what he could do—and he 
would be right.”—Extracts from Notes sur les Cent Chefs- 
d’Ufuvres, by AtBert WoLrFrF. 


LANDSCAPE | | 17 
THE VILLAGE ROAD 23 
A WINDY DAY 7 39 
GALLEGOS (J.) _ Spain 


A Spanish painter who has won fame for his technique 
and brilliant harmony of color, Gallegos resembles For- 
tuny, and he delights to depict processions and assemblies, 
scenes to which he can give infinite color and life. 


THE MARRIAGE CONTRACT 16 


GOUBIE (JEAN RICHARD) France 


Born in Paris, 1842. Pupil of Géréme. A painter of 
animals, and also of ladies and gentlemen in gay costumes. 
He has a wide reputation, being well known in different 
countries, and his works have found a ready sale among 
amateurs. | 


A RIDING PARTY 80 


‘eo 4 heey 
— o> Ww eA eT 


_ GREUZE (JEAN BAPTISTE) France 


_ Born at Tournus, near Macon, in 1725. After study- 


_ ing with Grandon at Lyons, he entered the Academy School 


in Paris, 1755, and the same year exhibited “ Father 


_ Reading the Bible to His Children.” It was greatly ad- 
- mired, and at the close of the year he was taken to Italy 


by the Abbé Goujenot. After his return he exhibited at 
the Salon until 1767, when he retired from Paris, indignant 
that he should have been received into the Academy not as 
a painter of historical but of genre subjects. He returned, 
however, and exhibited in his studio, his pictures attract- 
ing all Paris. The times were witnessing a reaction from 
the previous licentiousness of the Court, and it was Greuze’s 
métier to paint the beauty of virtue, the sentiment of a 
happy and innocent bourgeoisie. ‘Thus he was the father 
of French genre painting, though he lives to-day mainly 
through his ideal heads of girlish beauty. He amassed a 
large fortune, which, however, was lost at the Revolution. 
He died, neglected and in poor circumstances, in 1805. 


TETE DE G@ARCON 25 


GRISON (JULES ADOLPHE) France 


Jules Adolphe Grison is a native of Bordeaux, and he 
is a pupil of Lequien. His subjects, almost entirely drawn 
from the life of the seventeenth and eighteenth centuries, 
exhibit him as an artist of infinite humor, acute judgment 
of character, and technical skill of a rare order. His color 
is gay and brilliant, his touch rapid and clear, and he pos- 
sesses the faculty, once unique with Meissonier, of impart- 


ing to his minutest cabinet compositions the solidity and 
breadth of works of the largest scale. 


THE STIRRUP CUP : 36 

HAMZA (J.) Spain 
Contemporary. 

A QUIET GAME 3 

HART (WILLIAM) United States 


William, the elder of the two brothers Hart, was born 
in 1822. His parents, emigrating from Kilmarnock, Scot- 
land, settled in Albany, New York, in 1831, and in time 
apprenticed their sons to a local carriage builder. But 
both had spent their spare time in studying art. In 1853 
William Hart opened a studio in New York, and five years 
later was elected an Academician. During 1870-1873 he 
was President of the American Water Color Society. He 
died in 1894. 


CATTLE AT WATERING PLACE ; 6 


HARPIGNIES (HENRI) France 


** We confront a passionate lover of art in Henri Har- 
pignies. His birthplace was Valenciennes; his advent, July 
28, 1819. Equally in oil and water colors he has taken 
highest rank. He studied with Achard, visited Italy, and 
made his manners to the Salon in 1858, since which date 
he has exhibited regularly. His ‘ Evening in the Roman 
Campagna’ received a medal in 1866, which was so cor- 


Sa st, i 
es a le!) oN 


dially granted that it repaired somewhat the neglect of the 
year preceding. This picture is at the Luxembourg. He 
was medalled in 1868 and 1869 ; Second Class, 1878; Legion 
of Honor, 1875; Officer, 1883. Harpignies came of a 
wealthy family of merchants, who restrained his tendency 
to art. He was twenty-seven years old when he appeared 
in the studio of Achard, who was the dignified embodiment. 
of academic methods. In the foreground of our time, his 
figure, tall, robust, square-shouldered, groups naturally, 
though much younger, with Diaz, Rousseau, and Dupré. 
His productions affirm that landscape art was not buried 
when Corot died.” 


THE BRIDGE AT SAINT PRIVE : 5% 
THE WILLOW NEAR THE RIVER 68 
HENNER (JEAN JACQUES) France 


Born at Bernwiller, Alsace, 1829. Pupil of Drolling 
and Picot. Won the Grand Prize of Rome, 1858. Medals,. 
1863, 1865, 1866, 1878; Legion of Honor, 1873; Officer 
of Legion, 1878. Studio in Paris. 

*“No painter since Titian and Correggio had suc- 
ceeded in securing in the rendition of the nude such charm 
of color and purity of expression, and he was not long in 
creating a unique place for himself in his art. His *‘ Susan- 
nah,’ in 1864, carried the day for him in Paris, and was 
purchased for the Luxembourg Gallery, of which it is one 
of the masterpieces. Among his nymphs and magdalens 
Henner produced also a number of paintings on religious 
subjects, of a grand style of execution and a noble elevatior 
of feeling. One of his most original and dignified works 
of this order is his ‘ John the Baptist,’ the head of the de- 


-capitated saint being shown on a salver, and being a mas- 
‘terly portrait of one of the artist’s friends.” 


INNOCENCE | 13 


HOWE (WILLIAM H.) United States 


Born at Ravenna, Ohio, 1846. Pupil of Otto von 
‘Thoren and Vuillefroy, Paris. One of our best and most 
widely known cattle painters, William H. Howe was for 
‘ten years a successful exhibitor at the Salon, and besides 
being the recipient of a long list of medals, is a Chevalier 
of the Legion of Honor. Elected a National Academician, 
1897. 


RETURN FROM PASTURE AT 


ISRAELS (JOSEF) _ Holland 


Born at Groningen, North Holland, in 1824. As a 
‘boy he wished to be a rabbi, but on leaving school entered 
his father’s small banking business, and in 1844 went 
‘to Amsterdam to study under the fashionable portrait- 
painter, Jan Kruseman. But it was the ghetto of the city, 
‘swarming with life, that affected his imagination. ‘The 
‘following year he proceeded to Paris and worked under 
-Picot and Delaroche, entering the latter’s studio shortly 
after Millet had left it. Like Millet, he had no inclination 
“grand painting,” and, though he tried to practise it 
‘upon his return home, it was in the little village of Zand- 
foord, whither he went for his health, that he discovered 
his true bent. Again, like Millet, he found his inspiration 
-in the lives of the poor; but, unlike the French master, in- 


for 


vests his subjects with intimate peace and lyrical melan- 
choly, veiling his figures in an exquisite subtlety of sub- 


_dued atmosphere. Amongst the moderns he is “ one of the: 


most powerful painters and at the same time a profound. 


‘and tender poet.” 


THE SEAMSTRESS © 49° 


JACQUE (CHARLES EMILE) — France. 


Born in 1813, he was by turns a soldier and a map en- 
graver; later practising engraving upon wood, and etch- 


ing. In these mediums his first exhibits were made at the 


Salon, and they received awards in 1851, 1861 and 1863. 
His influence had much to do with the revival of interest in. 
the art of etching, and examples of his plates are held in. 
high esteem by collectors. Meanwhile, from 1845 he had 
been training himself to paint, although it was not until. 
1861 that his pictures received official recognition. His 
sympathies were with rustic life, and particularly with ani- 
mals. The pig attracted him as a subject; he not only 
painted the barn-door fowls, but bred them and wrote a 
book about them. Yet it is for his representation of sheep: 
that he is most highly esteemed. His experience with the 
burin and needle had made him a free and precise draughts- 
man, while his profound study of animals gave him com- 
plete mastery over construction and details, as well as the 
power to represent their character. His fondness for them 
saves him from any possibility of triviality ; he selects the 
essentials and fuses them into a dignified unity. His pic- 
tures have much of the poetry which characterized the Bar- 
bizon school, and found ready patrons during his life. 
After his death, which occurred in 1891, the sale of his: 


studio collection produced the noteworthy return of over 
600,000 francs. | 


THE SHEEPFOLD 22 
SHEEP UNDER THE TREES 55) 
JACQUET (JEAN GUSTAVE) France 


Born at Paris in 1846, Jacquet has always been a thor- 
ough Parisian in his art. He commenced to exhibit at the 
Salon before he was twenty years of age. In 1868 he 
gained his first medal, and for a period produced pictures 
of a historical character, the subjects being usually drawn 
from the past. It was not until his admission into the Le- 
gion of Honor, in 1879, that he began to give his atten- 
tion to modern life. 


THE FIRST VISIT 38 


JONGKIND (JOHAN BARTHOLD) Holland 


Born June 3, 1819, at Yatrop, near Rotterdam; came 
to France when yet very young, and entered the studio of 


Eugéne Isabey. For many years his talent was ignored, 


and the Jury of the Salon ruthlessly rejected his pictures. 
From 1872 onward Jongkind ceased to exhibit at the Salon, 
which had always shown itself averse to recognizing his 
merits, its one and only reward to him being a third-class 
medal given in 1852. Jongkind lived in retirement at his 
country retreat Coté St. André (Isére), and here he died, 
February 9, 1891. 

“ Like the old Netherlandish EE Jongkind is most 
at ease in regions connected with humanity. Houses, ships, 


windmills, streets and villages, market-places, and all spots 
that have any trace of human labor, are dear to him.”— 
MouruHer. 


A DUTCH CANAL i 


KAEMMERER (FREDERIK HENDRIK) France 


Born in Ghent, Belgium. He became a pupil of 
Géréme in Paris, and his pictures, which are strongly in- 
‘dividual, were generally painted from motives suggested 
by Parisian life during the Directory. He has been the 
recipient of numerous medals. Died in 1901. 


THE BATHER 83 


KAUFFMANN (HUGO) Germany 


Born in Hamburg, 1844; son of the painter Hermann 
Kauffmann, and pupil of Stadel Institute, Frankfort ; now 
-a resident of Munich. 


WAKING HIM UP 29 


KNAUS (PROF. LUDWIG) Germany 


. Born in Wiesbaden, 1829. Pupil of Jacobi, and of the 
Academy of Diisseldorf under Sohn and Schadow. After- 


_ward he allied himself with Lessing, Leutze and Weber. 


Member of the Academies of Berlin, Vienna, Munich, Am- 
sterdam, Antwerp and Christiania, and Knight of the 
Order of Merit. Medals: Paris, 1853, 1855 (Exposition 
DUniverselle), 1859. Medal of Honor, 1867 (Exposition 


ye | ee Be baa eR 
a PS ie a 


Universelle). Legion of Honor, 1859; Officer of the same, 
1867. Medals: Vienna, 1882; Munich, 1883. Professor 
in the Academy at Berlin. Medal of Honor, Antwerp, 
1885. 

“* Ludwig Knaus enjoys the unique distinction of being 
accepted by Germany as her chief painter of genre, and by 
the world as one of the leading masters in that art. He 
was a pupil at the Diisseldorf Academy and of Sohn and 
Schadow, but his graduation in art, after a couple of visits. 
to Italy, occurred in Paris, where he spent eight years: 
studying the methods of the French painters.” 


PORTRAIT OF THE ARTIST AND HIS FAVORITE 
DOG 8. 


KAULBACH (PROF. HERMANN) Germany 


Born in Munich, July 26, 1846. Historical genre 
painter, son of Wilhelm Kaulbach, the celebrated historical 
painter, and pupil of Piloty. Medals in Vienna and 
Munich. Honorary Member of the Munich Academy, 
1885. 


MADONNA AND INFANT 10: 


LAMBERT (LOUIS EUGENE) France 
Born in Paris, September 25, 1825. Pupil of Dela- 


croix. Genre and animal painter; especially noted as a 
careful and humorous painter of cats and dogs. Medals: 
1865, 1870; Third Class, 1876, 1886. Legion of Honor, 
1874. 


A CAT FAMILY 67 


i 


LEADER (BENJAMIN WILLIAM) England 


Born at Worcester, England, in 1831. He showed 
early in life a decided talent for painting, and, after some 
preliminary studies, went to London and entered the schools 
of the Royal Academy. Figure painting and sculpture 
alone are taught in this school, but he was not diverted 
from his purpose to become a landscape painter, and in a 
short time began to exhibit. His exceptional skill and his 
choice of subjects soon made him popular, and he has long 
been a most successful painter of domestic landscapes. He 


_ was elected an Associate of the Royal Academy in 1883 


and a Member in 1896. 


EVENING ON THE THAMES AT MARGRAVE 14 


LEFEBVRE (JULES JOSEPH) Contemporary 


Lefebvre, “‘ probaby the most pronounced in academic 
methods ” among contemporary French painters, was born 
at ‘Tournan, Seine-et-Marne, in 1836. He became a pupil 
of Léon Cogniet at the Beaux Arts, and made his début 
at the Salon with a portrait in 1855, since which year he 
has been a regular contributor. In 1861 he secured the 
Prix de Rome with a “ Death of Priam,” and five years 
later a Salon medal for his “‘ Nymph and Bacchus,” which 
was purchased for the Luxembourg. His long list of hon- 
ors includes the Grand Prix at the Exposition of 1889. 
He is a Member of the Institute, a Commander of the Le- 
gion, and at this last Exposition was Hors Concours. His 
pictures figure in the Museum of the Luxembourg and in 
the great galleries of France and foreign countries. 


PSYCHE 87 


LEPINE (J.) France 


J. Lepine was a native of Caen, and was a pupil of 
Corot. His works, however, give no indication of the 
influence of that master, either in style of treatment or 
selection of subject. He was an able and original artist, 
and his position in modern French art was amply assured. 


ST. OUEN 45 


LHERMITTE (LEON AUGUSTIN) France 


_ Born at Mont St. Pére, France, in 1863. Pupil of the 
Ecole des Beaux Arts and of Lecog de Boisbaudran. Mem- 
ber of the Legion of Honor. Widely known as designer 
and draughtsman before he became a painter. Also ex- 
cels in etching and pastel. Studio in Paris. 

** He is the most expert of living charcoal draughtsmen, 
and as a draughtsman in pastel has no peer. His color 
grows more forcible and ripe as he gets farther away from 
his many years’ devotion to graphic art, and as a water 
colorist and an etcher he has won the highest honors. He 
adheres to the rustic subjects with which his youth made ‘ 
him familiar, and it has been said of him that the mantle of 
Millet could not fall on worthier shoulders.” 


THE BLAZE OF NOONDAY 78 


LINNELL, SR. (JOHN) England 


Born in London, 1792. He became a pupil of John 
Varley, but learned more from his fellow-pupil, Mulready, 
than from his master. His progress was so rapid that in 
1807 he contributed to the Academy exhibition “ A Study 


from Nature” and “A View near Reading.” Like the 
ablest of his contemporaries, he could paint a panorama. or 
a miniature, or engrave a portrait. He was the recipient 
of many honors. In 1852 Linnell retired from London to 
Redhill, where he died in 1882. . 


MILKING TIME | AA 


MADRAZO (RAIMUNDO DE) Spain 


' Born in Rome, 1841. First instructed by his father 
Federico, head of the Spanish Academy in Rome, he after- 
wards entered the Ecole des Beaux Arts in Paris, and also 
studied under Léon Cogniet. In 1878 he was awarded a 
medal of the first class and the Ribbon of the Legion. A 
brother-in-law of Fortuny, he exhibits much of the latter’s 
skill in scintillating color, and can lavish on his pictures a 
captivating rococo grace, or introduce with taste and deft- 
ness symphonic schemes of color, as in the “ Girl in Red,” 
exhibited at Munich in 1883, or in the “ Pierrette ” of the 
Exposition Universelle of 1889. 


DRESSING FOR THE BAL MASQUE 28 
LA PIERRETTE 56 
MARIS (JACOB) Holland 


Born at The Hague, 1837. Pupil of the local academy, 
Strébel, Van Hove, De Keyser, Van Lerius and Hébert. 
Died, 1899. 

** Jakob Maris is the second, in point of age, of three 
brothers distinguished as painters of the modern Dutch 
school, and the strongest of them. He turned by natural 
selection to landscape painting, although equally strong in 


his treatment of the figure, and the works by which he is 
best known are of the former order of subjects. Jakob 
Maris worked partly in Brussels and partly at The Hague, 
but his chief studio and home was at the Belgian capital. 
His pictures both in character and choice of subject 
are thoroughly representative of the Netherlands: rivers, 
canals, quaint villages that doze under the shelter of the 
earthen ramparts which defend the land from the encroach- 
ments of the sea; wide reaches of farm and pasture land, 
spreading under gray and humid skies. ‘They are kept low 
in tone, and are in the most powerful schemes of subdued 
color, painted with great breadth and a massive vigor of 
handling and effect, and rank their creator at the head of 
the Dutch landscape painters of our time.” 


LOADING A SAND BARGE 57 


MAUVE, ANTON Holland 


“It was truly said when Anton Mauve died that Hol- 
land had sustained a national loss. Though comparatively 
a young man, he had made a powerful impression on the 
art of his country, and did more than any of his contem- 
poraries to infuse into the minds of his fellow-artists higher 
aims, and to lead them toward that close sympathy with 
nature which was his own inspiration. He loved the Dutch 
farms, dykes and heaths, and he painted them lovingly and 
tenderly in a direct, simple way. ‘To him his country was 
not always dull, gray and damp, as other artists would have 
us believe. He saw and felt, and shows us, its light and 
sunshine, too. ‘Through his pictures we may know Hol- 
land as it is, with its peaceful peasant life in both field and 
cottage—not that life of hard and hopeless toil that Millet 


OP ee) Le ee 


so often painted, but the life of peaceful and contented 
labor, which, happily, is, after all, the peasant’s more fre- 


quent lot. 


** Mauve was born at Zaandam, September 18, 1838, 
and died at the house of his brother at Arnheim, February 
5, 1888. | 

_“ Though he was for a short time in the school of P. F. 
Van Os, he was mainly a self-taught artist. 

** His pictures are well known in this country. Less 
than five years ago the artist’s works were easily obtained 
and at very moderate prices, while to-day they are both 


scarce and costly.”—W. Macsreru. 


GOING TO PASTURE--EARLY MORNING 4.0 
RETURNING FROM PASTURE—EVENING 42 
MEEKER (J . RUSLING) United States 


Born in Newark, New Jersey, on the 21st of April, 
1827. Landscape painter. Pupil of the National Acad- 
emy of Design. For some time a resident of St. Louis, 
where he now has his studio. 


A SOUTHERN SWAMP 53 


MEYER VON BREMEN (JOHANN GEORG) 


Germany 


Called, from his birthplace, Meyer von Bremen. Born 
October 28, 1813. Pupil of Sohn. Member of the Am- 
sterdam Academy. Gold Medal of Prussia, 1850. Medals 
at Berlin and Philadelphia. Died in Berlin, 1886. 

“When young Jean George Meyer emerged from the 


Diisseldorf Academy in 1842 to install himself in the dig- 
nity of a studio of his own, it was as a painter of religious 
works of the largest size that he aspired to fame. It was 
not long before he discovered that his talent had mistaken 
its direction. His heart was not in these academic and 
artificial compositions, while all around him nature—and, 
above all, human nature—invited him to more congenial 
fields. So the painter of tradition soon became the painter 
of fact, and his exquisite little cabinet pictures of domes- 
tic scenes and homely episodes of every-day life were not 
long in securing favor.” 


EXPECTATION 54 


MONET (CLAUDE) France 


** All his life intolerant of restraint, Monet in his art 
has been rigidly self-disciplined. As a boy he skipped 
school on fine days, and as a young man found Gleyre’s 
_ studio impossible for him; was acquainted with the pictures 
of the Louvre, but never tried to draw them, and in every 
way sought to emancipate himself from the traditions of 


the old masters and the influence of contemporaries. On 


the other hand, from the day that Boudin directed his at- 
tention to nature he never deviated from the study of it. 

** Monet is a ‘ Parisian from Paris,’ born there March 
2, 1840. But five years later his family moved to Havre, 
where his boyhood was spent. His earliest efforts in draw- 
ing were caricature portraits, for which, by the time that 
he was fifteen, he began to find purchasers at prices rang- 
ing from ten to twenty francs. 

“In 1865 he exhibited two marines at the Salon, and 
the following year ‘The Woman in Green,’ which, upon 


He ee Oe ee ey ee ar eae St Se eh 


4 


are ee eae ee ee 


Ps a oe py FE eee 


the opening day, many took to be a work of Manet’s, con- 
gratulating the latter, much to his chagrin. This was Mo- 
net’s last appearance at the Salon. By 1867 his man- 
ner had shaped itself—it was plem air; but, though he 
was beginning to experiment with effects of light and color, 
he had not yet adopted the principle of the subdivision 
of colors. In 1869 he met Manet, and became one of the 
group of younger men who gathered round Manet in a 
café at Batignolles. There he associated also with Degas, 
Fantin-Latour, Sisley, Renoir, Cezanne, Whistler, Zola, 
and others, who formed what the members called ‘ l’Ecole 


2 99 


des Batignolles. 


SNOW EFFECT 69 


MORLAND (GEORGE) England 


Born in London in 1763. The son of a portrait- 
painter, he received instruction from his father, studied at 
the Academy schools, and assiduously copied the Dutch 
and Flemish pictures. As early as 1779 his sketches were 
exhibited at the Academy. His pictures, distinguished by 
truthfulness of representation, skilful technique, and quali- 
_ ties of color and light, were prized during his own life and 
are still sought by connoisseurs. Died October 29, 1804 


ON THE COAST, ISLE OF WIGHT QT 


MUNKACSY (MIHALY DE) Austria 


In 1846 the rude village of Munkacs, in Hungary, was 
the birthplace of a child of poverty who was christened 
Michael Lieb. He had no future but one of misery, such 
as had preceded him in the experience of his progenitors, 


uso at 


and he commenced, almost as soon as he could handle a tool, 


to earn his meagre living as a carpenter’s apprentice. He 
taught himself to draw, and, in a crude way, to paint. 
Then a good-natured, poor portrait-painter of Guyla took 
him up and taught him a little more. From this master 
he passed into the hands of the Vienna Academy, and, by 
a supreme effort, finally secured admission into the Munich 
Ecole des Beaux Arts, where Professor Adam became his 
friend and instructor. Here the young artist made such 
strides in advance that he was enabled, by the winning of 
several prizes, to set himself up at Diisseldorf in 1869 as a 
painter. The works of Knaus and Vautier inclined him to 
genre painting, and in 1869 his ‘‘ Last Day of a Con- 
demned Man” made him famous. His style was so origi- 
nal and so unlike the conventional methods of German art 
that it attracted attention in Paris, and in 1872 he was 
emboldened to settle in that city. He had received a medal 
at the Salon in 1870, and so was not unknown there. In 
1877 he was received into the Legion of Honor, of which 


he had been an Officer since 1878. Munich and Vienna have - 


made him a member of their Academies, and the whole 
world in which art finds patronage has accepted him. His 
case is an illustration of the triumph of artistic genius 
over apparently insurmountable difficulties almost unique 
in the history of modern art. Died May 1, 1900. 


STUDY OF A HEAD 35 
COURTSHIP — 82 
NICZKY (C.) Germany 


Medals: Munich, Vienna, Moscow, and St. Petersburg. 


IN EXPECTATION 65 


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OEDER (GEORG) Germany 


Student in Munich. Has won considerable reputation 
as a painter of Dutch coast scenes. 


IN THE SAND DUNES 34: 


PASINI (ALBERTO) Spain 


Among living painters Pasini is unrivalled in his de- 
lineation of Oriental scenes. He is a native of Busseto, 
near Parma, and enjoyed the instruction of three great 
masters. ‘* From Ciceri he acquired his firm draughtsman- 
- ship, from Isabey his color and bold and fluent execution 
of the brush, and from Rousseau the deep feeling and 
sentiment of landscape.” For he is a master of landscape, 
and introduces into them such animated groups and figures 
that they become, as well, charming examples of genre. It 
was his good fortune to visit the Orient early in his artistic 
career, and during several years’ residence in Turkey, 
Arabia and Persia he accumulated a vast store of impres- 
sions, and thoroughly absorbed the color, atmosphere and 
animation of the East. 

He is an honorary professor of the Academies of 
Parma and Turin, a medallist at the great exhibitions, 
and since 1878 an Officer of the Legion of Honor. 


THE DESPATCH BEARER 7 


PEARCE (CHARLES SPRAGUE) United States 


Was born in Boston, Massachusetts, in 1851. He 
studied in Paris under Bonnat, and has resided in France 
for many years, painting genre subjects which have met 


with much popular appreciation. Medal of Paris Salon, 
1883. Gold medals in Boston, Philadelphia, Ghent and 
Munich. Diploma of Honor, Berlin; Chevalier of the 
Legion of Honor, 1894; Order of Leopold (Belgium) ; 
Order of Red Eagle (Prussia). 


THE LITTLE HOUSEKEEPER | 86 


PENNE (OTTO DE) | France 


Born in Paris, January 11, 1831. Landscape and 
animal painter. Pupil of Léon Cogniet. Second Grand 
Prix de Rome, 1857. Medals: Third Class, 1875; Second 
Class, 1883. 


HOUNDS IN LEASH 51 


RENOIR (AUGUSTE) France 


Renoir, who was born in 1840, early determined to be- 
come a painter, and, as his parents were not rich, he worked 
in a porcelain factory in his native town of Limoges, 
painted pictures in the cafés, and sold little subjects to the 
stores, until he had gained sufficient to enable him to study 
in Paris. Arriving there in 1860, at the age of nineteen, 
he entered the studio of Gleyre, having Sisley and Bazille 
as fellow-pupils, and remained for four years, until, at 
Monet’s prompting, they all abandoned it. During this 
time he was seen at the Salon in a portrait of Sisley’s 
father, which procured him several other commissions. He 
was working then in an ultra-romantic vein, scoring his first 
success at the Salon with a picture entitled ‘“‘ Esmeralda.” 


Before the beginning of hostilities in 1870 he shared a 
studio with Bazille, whose death during the war cut short 
a career of great promise. Meanwhile, since leaving the 
studio of Gleyre in 1864, he had been the intimate of 
Monet, and the two friends, under each other’s inspiration, 
made rapid progress. In 1868 he exhibited at the Salon 
“‘'The Woman in White,” which showed a tendency to- 
wards his new style of painting; timid enough, yet at the 
period sufficient to arouse hostility and to secure his ex- 
clusion from the Salon until 1880, when his “ Portrait of 
Madame Charpentier ” was accepted. But long before this 
he had ceased to concern himself with official honors. 


THE BATHER . 31 


RICO (MARTIN) Spain 


A native of Madrid, he received his first lessons in 
drawing from a cavalry captain, and then passed to the 
Madrid Academy, gaining a living in the imtervals of 
study by drawing, and engraving on wood. During the 
summers he would wander off on foot into the country con- 
sorting with gypsies and herdsmen; living a free, happy 
existence, and laying by a store of memories. He won the 
Spanish Prix de Rome, never before awarded for excellence 
in landscape, and chose Paris for his place of study in 
preference to Rome. Here he was kindly received by his 
countryman Zamacois, who introduced him to Daubigny 
and Meissonier. Later he became the intimate friend of 
Fortuny, with whom he spent much time in Italy. In 1878 
he was awarded the Cross of the Legion of Honor. 


A SIDE CANAL IN VENICE 4 


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ROBERT-FLEURY (TONY) | France 


Born in Paris. Chevalier of the Legion of Honor. 


Son of Joseph Nicolas Robert-Fleury. Pupil of Delaroche — 


and Cogniet. Received his first medal in 1866 for his. 
** Varsovie, the 8th of April, 1861.” 


“ THAIS ” . 12 


ROUSSEAU (THEODORE) France 


Born in Paris, 1812. He had an early taste for mathe-_ 


matics, and is said to have intended to become a pupil of 
the Polytechnique, but entered instead the studio of Le- 
thiére. Failing to secure the Prix de Rome, he repaired 
to the Plain of Montmartre, and his first picture, exhibited 
in 1826, “ The Telegraph Tower,” proclaims his nature 
study. In 1833 he made his first visit to Fontainebleau, 
and the following year painted his first masterpiece, 
** Cétés de Grandville.” He received a third-class medal 
at the Salon, but for the following fourteen years was re- 
jected from the exhibitions. Even after the Revolution 
of 1848 his green pictures were hailed as “ spinach,” and 
it was not until the Exposition of 1855 that the world 
acknowledged him as belonging to the class of Ruysdael, 
Hobbema and Constable. Huis last years were darkened 
by domestic calamity. He had married a young woman of 


the Forest, and when she was seized with madness, he spent — 


his strength in tending her. When finally the officership 
of the Legion, which was his due for serving as President 
of the Jury at the Exposition of 1867, was denied him, 
he succumbed to the bitterness of his chagrin. He les 
buried near Millet, in the churchyard of Chailly. 


LANDSCAPE 30 


eee 


SCHAEFER (H. THOMAS) | Germany 


A German artist, who for many years had a studio in 
London. His genre pictures have won him considerable 
reputation. 


ROMAN MAIDENS 81 


SCHREYER (ADOLF) Germany 


There is no suggestion of the German in the art of 
Schreyer, yet it was in that most German of cities, Frank- 
fort-on-Main, that he was born in 1828. He travelled 
much, and painted as he went. In 1855, when his friend, 
Prince Taxis, went into the Crimea, he accompanied the 
prince’s regiment, and at this period he began producing 
those battle scenes which gave him his first fame. Wan- 
derings in Algiers and along the North African coasts 
into Asia Minor resulted in those pictures of Arab life 
which are so popular, while visits to the estates of his 
family and his friends in Wallachia provided him with 
another of his familiar classes of subjects. Until 1870 
Schreyer was a resident of Paris, but since that time he 
divided his life between that city and his estate at Krom- 
berg, near Frankfort, where he lived surrounded by his 
horses and hounds, practising his art with an energy that 
advancing years was unable to impair., He was invested 
with the Order of Leopold in 1860, received the appoint- 
ment of court painter to the Duke of Mecklenburg in 1862, 
is a member of the academies of Antwerp and Rotterdam, 
and received first medals at all the important European 
expositions between 1863 and 1876. Died 1899. 


TRAVELLING IN RUSSIA 64 


and so the young decorator and the elder artist were fre- 
quently in contact. The constant sermon of Troyon was 
that the gifted youth should go to nature, and Van 
Marcke, in the time spared from his trade, obeyed the in- 
junction. Van Marcke’s early pictures betray strongly 
the feeling and influence of Troyon. While more care- 
ful in drawing and more elaborate in detail, their color 
and technique show the association of the master. But 
with increasing confidence and experience, Van Marcke 
created a style with which he is now thoroughly identified. 
He was a master draughtsman, equally a master of compo- 
sition, and the grouping and modelling of his cattle are 
always pictorial and true. His landscapes are of an equal 
degree of excellence, and are replete with the charm of a 
joyous and smiling nature. Effects of midsummer mid- 
day and of showery skies over pastures enriched by a 
humid soil find particularly happy rendition at his hands. 
Van Marcke appeared first at the Salon in 1857, and was 
repeatedly medalled in 1867, 1869, 1870, and at the Ex- 


position Universelle of 1878 he received a medal of the first. 


class. He was invested with the Legion of Honor in 1872, 
and since then he received many additional medals of honor. 
Died January 7, 1891. 


RETURN FROM PASTURE 73 


VIBERT (JEHAN GEORGES) France 


One of the strongest individualities among the artists 
of Paris is Vibert. He was not only a painter, but a sat- 
irist of drastic power and an author of pointed excellence. 
A Parisian by birth, and if he may be said to be a pupil 
of any one, his master must be considered to be Barrias, 


although he also did some early work under Picot. He 
first exhibited at the Salon of 1863, and made a virtual 
failure. His active intelligence gave a new direction to 
his art, and seven years later, at the age of thirty, he was 
decorated with the Cross of the Legion for his “ Roll Call 
after the Pillage.” His good-humored satires on the hy- 
pocrisy and self-indulgence of monkish and ecclesiastical 
life did much toward advancing him in popularity, and one 
of the latter, *‘ The Missionary’s Story,” may be recalled as 
having been sold in this city, at the sale of Mrs. Morgan’s 
_ collection in 1886, for $25,000. Vibert was not content 
with triumphs in oil alone, but, spurred by the exploits of 
Fortuny in water color, he began in it a series of experi- 
ments that have placed him among the first aquarellists of 
the world. He was the leader in the movement that resulted 
in the formation of the now powerful Society of French 
Water Colorists, a society that, by its lofty standard, really 
forced the Salon into a marked reform in the character, and 
improvement in the quality, of the pictures it accepted for 
exhibition. Died July 28, 1902. 


THE CHURCH IN DANGER 76 


VOLKHART (MAX) Germany 


Son of Georg Wilhelm Volkhart, historical and por- 
trait painter, Max Volkhart was born at Diisseldorf, and in 
time entered its Academy, studying under Eduard von 
Gebhardt. Later he studied in Brussels, Antwerp, Bruges 
and Ghent, also visiting Italy. His reputation is based en- 
tirely on genre subjects. 


THE PROPOSAL 75 


WORMS (JULES) | | a ranc 

Born in Paris, 1837. Pupil of Lafoases st ex- 
hibited at the Salon in 1859. He spends much of i ia tone 
in Spain, where the subjects of most of his pictures ar 
found. Medals: 1867, 1868, 1869, 1878; Legion | 
Honor, 1876. One of the founders of the French Wat 
Color Society. ) <i gheia ae hae: see 


A FLIRTATION Sie 


SALE AT MENDELSSOHN HALL 


Fripay EVENING, FEBRUARY 38D, 1905 


ek PROMPTLY AT 8.15 O’CLOCK 


R. DE CUVILLON © ¢ 


THE ROUNDELAY 


Water Color 


A CAVALIER in rich costume of the seventeenth cen- 
tury is seated in a tapestry-draped room playing on 
a quaint violin, and opposite him, perched on a 
broad window seat, a maiden sings from an open 
music book. The lady wears a brilliant red bodice, 
with galoon-trimmed petticoat and skirt. Through 


_ the open window is a view over a broad expanse of 


water. 


Signed at the lower right, R. pe CuviLion. 
Height, 12 inches; width, 9 inches. 


Purcuasep rrom G. Retcuarp & Co., New York, 1889. 


No. 1 ¥ 


JOHN LEWIS BROWN 
THE MORNING OF THE HUNT 


Water Color 


: fe’. a 

On a broad roadway, which leads to a village halt 
hidden by large trees, is a group of four horsemen ~ 
and a dogcart with three ladies. Two of the riders — 
are in pink coats, top hats, white breeches and — a 
patent leather boots. A black dog in the f ore a 
stands alert. | 


Signed at the lower right, Joun Lewis Brown, 1881. 
if a 10 inches; length, 14 inches. 


PurCHASED FROM Do ate ys.» 1896. 


No: 3: 1a Cute 
JOHN HAMZA 


A QUIET GAME 


In a simple interior with a window, through which “a 
is seen the houses of a city, three men are playing | 
cards at a table, while a fourth looks on with in- 
terest. ‘he costumes and accessories are of the eigh- 
teenth century. 


Signed at the lower right, J. Hamza, Wien, 1887. 
i - Height, 10% inches; mii 141% inche Le 
i 


il 
| Purcuasep FRoM M. Knoepiter & Co., New York, 1889. ) los ¥ 


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MARTIN RICO 


A SIDE CANAL IN VENICE 


TuIs is a view in one of the many quiet and nar- 
row waterways of Venice, with a variety of archi- 
tecture on either side, gondolas moored at the water 
steps, and a single one in motion. The roofs and 
gables are in silhouette against a clear blue sky. 
Signed at the lower left, Rico. 

Height, 13% inches; width, 9 inches. 


PurcHAsED FROM WititiAm Witps, New York, 1894. 


either side of the canal is moored a square-rigged 


JOHAN D. JONGKIND 
A DUTCH CANAL 


A BROAD waterway covers the f oreground and ex- ; : 
tends straight away to the remote distance. On 


vessel, and on the quay on the right is a group of 
red brick houses behind a row of trees. In the dis- 
tance a drawbridge crosses the canal, and beyond 
it looms up a tall windmill. 


he 


Signed at the lower left, JoncKIND, 1870. , , 
Height, 13 inches; length, 17 inches. 


PurcHasep From Duranp-Rvet, Paris, 1896. od Dy +49) 


No. 6 bh} Vy 


WILLIAM HART, N.A. 


CATTLE AT WATERING PLACE 


Two spotted cows, standing half-knee deep in a 
small pool, are struck by the full sunlight, which 
brings them into strong contrast against the shadow 
on the landscape beyond. On the right a tall group 
of trees half covers the sky. 


Signed at the lower left, Wm. Hart. 
| Height, 16 inches; width, 12 inches. 


PurcHaAsep From M. KNOEDLER & Co., New York, 1889. 


Arc Alene ae cu 6 Dayes 


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ALBERTO PASINI /~. Way, 


THE DESPATCH BEARER 


A RIDER on a dark bay horse is about to deliver a 
letter to the armed attendants at the doorway of a 
Moorish palace. Strong sunshine casts the shadow 
from a deep cornice over the wall, with its decora- 
tion of colored tiles, and against the sky. 


Signed at the lower left, A. Pastrnt. 
Height, 16 inches; width, 12% inches. 


>} 
i A 


Purcuasep From M. Kwnoeprer & Co., Paris, 1896. 


PurcHasep FROM MvUENCHENER KUENSTLER-GENOSSENSCHAFT, MUNICH,. 
li 1890. 


No. 8 

LUDWIG KNAUS | 

PORTRAIT OF THE ARTIST AND a 

a HIS FAVORITE DOG | a 
: THis is a study of the half-length figure of Pro- — a 
! fessor Knaus in brown velveteen and corduroy cos- — ae 
| tume with his favorite greyhound by his side,  __ 
standing near a lake in some well-kept park. His* "2 
| arms are folded, and in his left hand he holds a 
partly consumed cigar. S 
| Signed at the lower left, L. Knaus. i ry 
| Height, 15% inches; width, 11 inches.. ee 
| Purcuasep From F. A. AcKeRMAN, Municu, 1890. a 
| . 1 | No. 9 : Pe 
. EK. ANDERS a 
| * MOTHER AND INFANT 4 
| A younG mother in a seventeenth-century gray a _ 
mauve satin low-cut dress, with lace cap and broad 2 
| collar, is seated on a carved oaken settle, holding in # "4 
| | her arms a tiny infant. She gazes at the chubby face: 3 ‘ 
| with an expression of affectionate pride in her first- ae 
born. as 
| pete, | at the upper right, EK. ANDERS. ; 
i ~~ Height, 16 inches; width, 13 inches. . 4 


Pony 


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No. 10 


PROF. HERMANN KAULBACH 


\ MADONNA AND INFANT 


SEATED in the angle of a rough wall the Madonna 
| is suckling the Infant with tender solicitude. Above 
ry her head floats a slender halo, and in the distance 


p the full moon is just rising over a line of wooded 
u hills. In the right foreground a shallow dish is sup- 

: ported on a low tripod over a small fire. 

5 Signed at the middle right, H. Kauipacu. 

g Height, 15% inches; width, 11% inches. 


Purcuasep From E. A. Fretscuman & Co., Municu, 1890, 


preaes 


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No. 11 sD © 
CONSTANT TROYON Aye 
THE WATERING PLACE _ OF am 


In the shallows of a broad river farmers are water-_ é 
ing their cart-horses at noonday. In the distance, 
across the river, is a town dominated by a hill 
crowned with an imposing fortress. On the left, in 
the middle distance, a rank of stately poplars rises — 
on the grassy bank. Near the zenith small areas 
of blue show between the clouds. The effect is of 
strong sunlight with vivid contrasts of light and | 
shade. OO AE i 


Signed at the lower left, C. 'Troyon. ‘ 2 
Height, 15% suchen length, 23 inches. aa. a 


PuRCHASED FROM DuRAND-RUEL, Paris, 1896. 


No. 12 4 QA 
TONY ROBERT-FLEURY 
ae ee 


‘THE head and shoulders of a young woman with a 
chaplet of flowers in her hair, and her bust half 
covered with white and orange drapery. The head 
is seen in profile, and the light, which is somewhat 
diffused, falls from above. 
Signed at the upper left, 'T. Ropert-F evry. 
Height, 16 inches; width, 13 inches. 
(Champs Elysées Salon, 1896.) ~a nr OAK 


Purcuasep From M. Knoepter & Co., Panis, 1896. VY 


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No. 18 
JEAN J. HENNER 


INNOCENCE 


"Ture head and undraped arms and shoulders of a 


young girl with a mass of waving auburn hair. She 
is in full face, with the eyes turned toward the spec- 
_tator. A strong light from the upper left casts 
strong shadows on the flesh and accents the blue 
drapery, which is thrown over her lap and around 


her waist. 


Signed at the wpper left, J. HENNER. 
Height, 16 inches; width, 12 inches. 


_Purcuasep rrom Bovussop, Varapon & Co., Paris, 1886. 


eee 
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No. 14 
CHARLES FRANCOIS DAUBIGNY 
SERS 
BANKS OF THE OISE nile 


Tue placid surface of the pleasant river So - 
across the foreground and reflects the forms and _ 
colors of a great clump of trees on the left, the 
grassy bank, the houses, and the quiet tones GPa 
the simple summer sky. Two skiffs are moored to 4 
the bank under the trees, and in one of them is the 
figure of a man in a white shirt. 


Signed at the lower left, Dausicny, 1865. 
Height, 10 inches; length, 18 ria 


n 4) 49) bea 
F ioe “if Ed 


PURCHASED FROM mt Kwnorpitrr & C eben, § Tene 
hid OekG3 GF AH Ly fg f oe 
No. 15 nt D' 9395 Lehi if i. 
EUGENE BOUDIN “1 


COWS IN THE VALLEY 


A LArcE herd of spotted cows is assembled on the — 
low, irregular bank of a broad stream. In the dis- 
tance are farm-houses surrounded by trees and a 
line of low hills, with a church spire rising above a 
the tree-tops. The sky is covered with light clouds. 


Signed at the lower right, E. Bovupin. E 
Height, 16 inches; length, 99 inches. 


PourcHaseD FROM DvuRAND-RUEL, Paris, 1896. 


PR eg teerretcerreerer eee cern: cesepeeennensene 


i 
et SAR a 


No. 16 
_ JOSE GALLEGOS 
THE MARRIAGE CONTRACT 


In the sacristy of a large cathedral are assembled 
a youthful Spanish couple and a number of friends, 
all in rich costumes of silk, satin, laces and em- 
broidery. Grouped around a table in the middle of 
the picture are three priests engaged in drawing 
up the marriage contract. A fourth ecclesiastic is 
reaching down an old volume from a carved book- 
case at the back, and a choir-boy brings others from 
another part of the room. Rich carvings, orna- 
mental metal work, and sumptuous furniture de- 
note that the cathedral is an important one. 


Signed at the lower right, J. Gattecos, Roma. 
Height, 15 inches; length, 24 inches. 


PurcuHasep From E. A. Freiscuman & Co., Municn, 1886. 


S 


* 


. 2 ties e > ae 


i ene He x ni ea ren 
; No. 17 
JULES DUPRE 
LANDSCAPE 


A NARROW strip of farming country under a wide 
and lofty sky. On the right is a clump of trees with 
dense foliage and a group of farm buildings, and 
on the left is a view across a level stretch of land to 
the low line of the horizon. In the foreground is a 
small pool, beside which stand two cows, and the 
figure of the cowherd is seen seated in the pasture 
just beyond. The lower part of the sky is filled with 
cumuli vividly illuminated by sunlight. 
Signed at the lower right, Jutes Dupre, 1872. 

Height, 16 inches; length, 27% inches. 


PurcHASED FROM DurAND-RvEt, Paris, 1896. 


No. 18 
LUIGI CHIALIVA ,, 5 
A SHEPHERDESS // ~./ fAq@7Z 


SEATED in full sunshine on the top rail of a stile is 
a young peasant woman busily engaged in sewing, 
while her flock of sheep and lambs repose near by. 


In the middle distance is a broad stream with a vil- 


lage and wooded hillside beyond. 


Signed at the right, L. Cutativa. 
Height, 18 inches; width, 14 inches. 


Purcuasep FRomM M. Kwnoeprer & Co., Paris, 1896. 


Af 


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ry) 


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ae 
a a LE = 


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One tte ee 


(Sh RE 


No. 19 
N. V. DIAZ DE LA PENA 


THE LAP DOG 


A YOUNG girl in a pink dress trimmed with black is 
seated on the grass in full sunlight holding a small 
white poodle in her lap, clasping him in her arms. 
From beneath a white petticoat peeps out her tiny 
foot in a pink silk slipper. The background is deep- 
toned foliage against a blue sky. 


Signed at the lower left, N. Diaz. 
Height, 13% inches; width, 10% inches. 


PurcHasep FROM DurRAND-RUEL, Paris, 1896. 


i. toes at the lower left, Ly. Bownat, 1880. 


eee. | oe ee 1 ee, a re el et a oe re ee ee ¢ wae = 
holy, ak Tk oe Ca ier ace. Ae ae Be eel ei St: 
at ere : eer tas cee a ees. are 


No. 20 
JEAN BAPTISTE CAMILLE COROT A 


LANDSCAPE | ee 


On the left a large pollard and a slender birch 
grow from a pasture on the edge of a Jake and rise 
against a simple summer sky. On the right is a 
clump of tall trees, with a single white birch in con- 
trast against the soft foliage. A red cow, tended by 
a peasant woman, stands knee-deep in the grass. 
Beyond the lake is a chateau standing on a low 
elevation. 
Signed at the lower right, Corot. 

Height, 14 inches; width, 9 inches. 


PurcuHasepD From M. KNoepier & Co., Paris, 1896. 


gt lf. —~ 
MXM Ad /?} 
VA a 


No. 21 vs {/ Pi * 
LEON BONNAT 


A LITTLE ROMAN GIRL 


Tue full-length figure of an Italian peasant child 
in the customary brilliantly colored costume, a 
white chemise with red sleeves and sash, blue petti- 
coat and yellow figured apron. She stands, her 
hands clasped in front of her, facing the specta- 
tor in a strong light from the upper left side. | 


Height, 21 inches; width, 14 inches. 


PurcHasep From Bovssop, VALADoN & Co., Paris, 1886. 


aut Be 
‘ 


No. 22 
CHARLES EMILE JACQUE 


THE SHEEPFOLD 


Two sheep are feeding from a small trough in a 
straw-littered barn. A shaft of sunlight strikes 
full upon them and casts deep shadows upon the 
ground. In the shadow poultry search for food in 
the straw, and behind the sheep is a narrow, open 


bo e F , ae ae 
‘ . Ld te P 


door. ff} 


Signed at the lower left, Cu. Jacaur, 73. 
Height, 6 inches; length, 814 inches. 


From Collection of L. Lefebvre of Roubaix, 1896. 


PurcHasep rrom M. Knoepier & Co., Paris, 1896. 


Ay ye ?™ 
° i, “e-147 fo * 
Sa t Csg. (Jj Pou 2 b j 
FEA De A - 
in oe 


- 


by a rank growth of weeds and water plants, two 


No. 28 A. K fale 


JULES DUPRE 
) Am | 


THE VILLAGE ROAD 


A poo. of water bordering a winding, at road 
occupies the foreground. In the middle of the com- 
position two gnarled and sturdy oaks overshadow — “a 
a thatched cottage. Masses of cumuli roe ue oy, 
larger part of the sky. 


Signed at the lower left, Jutes Dupre. “ » 
Height, 8% inches; width, 6% inches. = 


Purcuasep From M. Kwnoepier & Co., Paris, 1896. 


: 4 ate 

No. 24 Vis. i oe 

OTTO DE THOREN ee 
mi fo ig 


POLLARD WILLOWS oun 
On the bank of a small brook, which is half hidden ; 


old pollard willows lean over the stream, and their — 
foliage is rich with autumn tints. The foreground — 
is in shadow, and beyond the trees there is an area — 
of sunlit meadow. 


Signed at the lower right, O. pE THOREN. 
Height, 101% inches; length, 134% inches. 


PurRCHASED FROM THE ARTIST, Paris, 1886. 


eon 0 tA GF tefyr 
\3° | Moros or 
JEAN BAPTISTE GREUZE ~ V 
UL. J.** 


TETE DE GARCON 


THE study of the head and shoulders of a fair- 
haired boy, his face turned to the right and inclined 
downwards. He wears a brown jacket, open to 
show a full shirt, which is unbuttoned at the neck 
and chest. The background is a broken tone of 
gray. 


Height, 18 inches; width, 14 inches. 


Purcuasep From Duranp-Rvet, Paris, 1896. 


THE MARSH 


A ROUGH and broken stretch of open country, with 
here and there a clump of trees. In the near fore- 
ground is a broad pool reflecting the adjacent trees 
and the concentrated light in the sky. A single fig- 
ure of a peasant woman is seated on the left. 


Signed at the lower right, N. Draz. 
Height, 6 inches; length, 10% inches. 


PurcHasep FRoM DurAND-RvEL, Paris, 1896. 


'¢ 
. 


.” A Pieicuted farmer with his dog 


ri vides: a. the Toad, and two other aia are 


No. 28 


RAIMUNDO DE MADRAZO- 


: : ae = . 
DRESSING FOR THE BAL MASQUE — Ree. 
A YOUNG woman in fancy dress of red and white mt or 
striped satin, black bodice, red cap and pink stock- 
ings rests one foot on a couch, while she puts on her 
slipper. Her mask lies on the floor near by. ; 


ct ie at the lower right, R. Maprazo. . 
Height, 4% iohe. length, ee inches, : 


PurcHasep From Bovussop, Varapon & Co., Paris, 1886, 


ao aa 


No. 29 
. “HUGO KAUFFMANN’ 
Ww. KI ae HIM UP 


~qme yi La 
his) 


Tae old egal has fallen asleep, with Ais_ 


athe "The Preaan, ita in hank leans over the 

sleeper to blow a blast from his bugle in his ear, 
; cree the serving maid watches the farce with 
; "amusement. 


i | | Signed at the lower left, Huco eons, 90. 
. Height, 14 inches; length, 17% inches. 


Purcuasep From EK. A. Freiscoman & Co., Municn, 1886. 


hoe Ek 5) OSS ONE Open eae : 


a 


0 a 


iis : iy r q iT r aan sie ; oe} ity : 
oa € “ich . ‘i , ae ae? ae ae «ont : 
ae ‘ é 
fy 
No. 30 Bites 


THEODORE ROUSSEAU 
LANDSCAPE 


It is twilight, and the warm glow of the evening © 
sky is reflected in a small pool near the foreground, 
where cattle are drinking. Near the middle of the 
composition a tall, rounded tree rises high above its 
neighbors, and beyond, on the right, is a wooded. 


hillside. The sky is covered with cloud masses, and 7 
the light is concentrated near the horizon. os 
Signed at the lower left, Tu. Rousseau. 4 
Height, 744 inches; width, 9% imehes. = 
. PurcHAsEeD FROM DuRAND-RUEL, Paris, 1896. . a 
No. 31 hy yrante CA a 

AUGUSTE RENOIR 590.8 
THE BATHER Bs 4 


A FEMALE figure with scant drapery, turned back 
to the spectator, with her head in profile turned 
over the right shoulder. She is sitting near the edge | 
of a pond or a river, and as a background to the —_ 
head is a mass of foliage overhanging the water. — 


meee 


Signed at the lower left, Renom. 
Height, 16 inches; width, 13 inches. 


Purcnasep From Dvuranp-Rvet, Paris, 1896. a 


BePRANZ DEFREGGER “~~ 
LOVE-MAKING dle ben 


A DAIRY-MAID engaged at her daily task of churn- 
‘ing is agreeably interrupted in her monotonous oc- 
cupation by a young sportsman who, accompanied 
by his dog, has invaded the dairy. The lover throws 
his right arm around his sweetheart’s neck, and 
rests his left hand on hers. The dog is interested in 
the cream which trickles from the dasher of the 


churn. 


ita at the upper right, F. Drerreccrr, 1889. 
Height, 201% inches; width, 15% inches. 


PurRcHASED FRoM Epwarp ScHULTE, BERLIN, 1890. 


aoe 


nc , 
\ vO 


No. 38 ee 
JEAN BAPTISTE CAMILLE COROT _ 
LA TOUR D’ESBLY 


Tue dominating mass of a great church tower wath ag 
buttressed corners rises high against a simple oe 
from among surrounding trees. The sun strikes — 
across the turf on the right and the left, and in the — -. 
foreground, which is in shadow, an artist is seen at 
work on a canvas near a large clump of bushes. __ 


Stamped at the lower right, Vente Corot. 
Height, 10 inches; length, 12% inches. 


PurcHasep FROM DvurRAND-RvEt, Paris, 1896. 


No. 84 /) Lf yy Migr 
G. OEDER > 


IN THE SAND DUNES 


Ir is a stormy day on the Dutch coast, and the sky 
is gray and threatening. Gulls fly screeching about, 
and the smoke from a tile-roofed cottage, which 
stands in the shelter of a great sandhill, is whirled 
down by the force of the gusts. In the distance, 
across a stretch of shimmering water, is a a line of 
dunes against the gray sky. 


Signed at the lower right, G. Orvrr. 
Height, 18 inches; length, 24 inches. 


Purcuasep From Wm. H. Howe, Paris. 


obs. 


No. 85 
MIHALY DE MUNKACSY 


STUDY OF A HEAD 


Tue “ Last Moments of a Condemned Man” was 
probably the chef d’ceuvre of this artist. The head 
is the study of type and expression for the princi- 
pal figure in the large picture. 


Signed at the lower right, M. pe MunxKacsy. 
Height, 13 inches; width, 10 inches. 


PurcuHasep From F. A. Ackerman, Municu, 1890. 


No. 36 "A ae si / | 


i a 


JULES ADOLPHE GRISON 


\ 
_ on 


THE STIRRUP CUP 


AN eighteenth-century cavalier leans against his 
horse in the courtyard of a picturesque inn, and a 
serving maid holds a pewter tankard on a tray near 
by. Hens and pigeons feed on the stone pavement. 
In the background an old man watches the scene, 
and an old woman looks out of the casement of a 
latticed window. 


Signed at the lower right, Grison. 
Height, 9% inches; width, 7% inches. 


PurcHAsepD From Bovssop, Vatapon & Co., Paris, 1886. 


pool 


oe 
a 


CONSTANT TROYON 


ETUDE DE BOEUF ee q 
A MOrTLED red and white cow is standing i in fall 
sunlight near the door of a thatched building. She ot ’ 
is in profile, facing the right, and beyond the cor- 
ner of the building is the dark mass of a forest and 
a gray sky above the tree-tops. 


Stamped at the lower right, Vente Troyon. 
Height, 18 inches; length, 22 inches. 


PurcHAsED FROM DuRrAND-RvEL, Paris, 1896. 


No. 38 
J. G. JACQUET 


THE FIRST VISIT 


A. youngé lady in an ample dress of figured bro-_ 
cade is seated on a gilt sofa in a rich salon. Through 
an open door behind her comes a youthful beau in a 
rich costume of blue and silver. The dresses and ac- 
cessories are of the early part of the eighteenth 
century, and on the wall behind the young lady is a 
painted decoration in the style of the time. 


Signed at the lower right, G. Jacque. 
i eight, 2114 inches; width, 19% inches. 


PurcHAsep rrom M. Kwnoepier & Co., New York, 1889. 


ee act 
b  eeoang 


Lomi by td eh 


No. 39 


rj 
pon" 


JULES DUPRE “ZY 


A WINDY DAY 


A THATCHED cottage with sheltering trees forms 
the principal feature of the composition. On the 
right is a wide stretch of level ground with a wind- 
mill in the middle distance, and in the foreground 
is a narrow pool reflecting the building, the sky, 
and the figure of a woman in a red petticoat who 
is struggling against the wind on her way to the 


strong gale. y iy; 


"ES aed 


cottage. The clouds are tossed and whirled by a 


Signed at the lower right, Jutzes Dupre. 
Height, 21% inches; length, 26 inches. 


Purcuasep From G. Retcuarp & Co., New York, 1889. 


ANTON MAUVE 
GOING TO PASTURE—EARLY 


herd and an alert black sheep dog, bree its way 
pastureward across a rough, flat country, where the — 
grass is broken by sandy patches. On the right - < 
line of low bushes and a single slender tree rise - 
against the gray morning sky. ‘ 


Signed at the lower right, A. Mavve. | a 
Height, 151% inches; length, bh. inches. 


Purcwasep From M. Knoepier & Co., Paris, 1896. 


So7L 


- 


i 
vada 


No. 41 f if , 


/ Be: Voy 
19 JULES worms -<_“ 


A FLIRTATION 


In the courtyard of a Spanish house a young girl 
is busy sewing on a gay-colored costume, which is 
thrown over a kitchen chair. She is interrupted at 
her task by the chat of a young gallant dressed in 
jaunty costume, who twirls his stick as he stands 
close at hand in an attitude of conscious assurance. 


Signed at the lower left, J. Worms. 
Height, 14 inches; width, 10% inches. 


PurcHAsEeD FROM WILLIAM Wixps, New York, 1894. 


ce 


atu 
F, 


GY) 


No. 42 
ANTON MAUVE Yen 70 a 
| al 
RETURNING FROM PASTURE— Bas: “ 


EVENING | 


A PEASANT woman is driving a herd of Ren ny « 
cattle along a deeply rutted, sandy roadway, which __ 
has been worn by long use below the level of the 4 | 
fields on either side. The flash of the disappearing — 

sun sparkles on the edges of clouds high in the 
heavens, and gives a rosy glow to the vapor aS orms 

near the horizon. | 


Pan at the lower right, A. Mavve. 
Height, 15 inches; length, 271% inches. Be. ; 


PurcHasep From M. Kwnoepier & Co., Paris, 1896. 


S075 4 ; | } 


caf < 
o> 


ru vie 
aie 


leet No. 43 
_—s« G. BOEHMER 


- A woop Road winds Merce tall beeches in the fore- 


4 < . 
SEN ESs 


Ue: ground past a great clump of trees, and is lost in 
the sunlight beyond. Two deer are crossing the 

oad in the middle distance. On the left is a pool 
k ordered by a rank growth of tall weeds, and be- 
yond i it is a cultivated low hillside surrounded by 
3 _ trees and bushes. 


e _ Signed at the lower right, G. Borumer. 
Height, 19 inches; length, 27 inches. 


. Purcuasep rrom H. C. Hemrer, Dusserporr, 1890. 


No. 44, | 
JOHN LINNELL, SENIOR > 
MILKING TIME 


In the near foreground a country road winds over 
the brow of a hill. The richly cultivated fields be- 
yond are flooded with the warm light of a late after- 
noon sun. A farmer and a milkmaid accompanied 
by an old man are driving four cows toward the 
distant farmyard. Great rolling cumuli cover all 
the lower part of the sky, and the foreground is in — 
shadow. w aro 


Signed at the lower right, J. LinNELL, Sr. . 
Height, 17% inches; length, 26 inches. 


PurcHasep From ArTHUR TootuH & Sons, Lonpon, 1890. 


No. 45 


J. LEPINE 


ST. OUEN 


Tue placid Seine shimmers in the warm light of a 
summer afternoon. On the right two boys wade in 
the shallow water under a dense clump of trees, and 
a single boatman is paddling his skiff to the near 
shore. Across the river the smoke from factory 
chimneys slowly drifts in the warm air, and the 
facades and gables of large buildings are strongly 
accented by the sunshine. __ 


Signed at the lower right, J. Lerine. 
Height, 14% inches; length, 21 inches. 


Purcuasep From Duranv-RveEt, Paris, 1896. 


No. 46 AS <n 
ALPHONSE M. DE NEUVILLE Lf 0 vO 


THE HEADQUARTERS FLAG 


A BUGLER, mounted on a dark-brown artillery 
horse, holds in his left hand, with the staff resting 
on the ground, a small blue and white flag, which 
apparently is the one which marks the headquarters _ 
of a commanding officer. In the distance are seen 
the flash of guns and, here and there, the gaunt 
forms of men in the clouds of smoke. | 


Signed at the left, A. pe NEvvitie, 1882. 
Height, 18 inches; width, 15 inches. 


PurcHased From M. Kwnoepier & Co., Paris, 1896. i ee 

No. 47 7 74{ Wout y 
WILLIAM H. HOWE, N.A. | 

RETURN FROM PASTURE 


A. DutcH peasant woman is driving her three cows 
along a sunlit, sandy road, which runs out of the 
foreground. On either side are moderately high 
banks covered with grass and a profusion of 
flowers. 


Signed at the lower left, Wir11am H. Howe, Paris, ’87. 
_ Height, 18 inches; length, 23% inches. 


PURCHASED FROM THE ARTIST. 


(r0 No. 48 Pi OT hed 


LUIGI CHIALIVA 


THE GOOSE GIRL 
A HALF-GROWN country girl, in a straw hat and 


brown dress, stands with a basket on her arm in the 


middle of her flock of geese and ducks, which are 
scurrying around in the grass for the food she has 
just thrown down. Beyond is a quiet, broad river, 
full of shallows, and in the distance are seen a brick 
bridge with a single arch and a village among the 
trees. | 


Signed at the lower right, L. Cutativa. 
Height, 10 inches; length, 14 inches. 


PurcHasep From Bovussop, VaLtapon & Co., Paris, 1886. 


Oe Aa, oe Pes, 


SET gr NB SEO a) a a eee Ree eee 
A vw Peaye st) nS atc 


JOSEF ISRAELS = 
a # “4 in 


THE SEAMSTRESS 


A Durc# peasant girl is busy sewing a white ae 
ment near a window, the light from which floods 
the humble interior. She wears a white cap, a gray- oe ; 
pink Jacket, and a black petticoat. A few simple Ss 
accessories are seen in the background, and through 
the window is a glimpse of a sunny landscape. 


Signed at the lower right, JoseF IsRaEts. ie 
Height, 21 inches; width, 16 inches. Ae i 


PurcHaseD From ArtTHUR ToorH & Sons, a 1896, 


No. 6 Bima 


J. M. nARMeaMl Be O 
A FRENCH VILLAGE Le 


A GRASS-BORDERED road leads from the f ocean ie 
to the middle distance, where it disappears behinda  _— 
clump of trees. Two peasant women stand gossip- 
ing in the sunlight. On the right are cottages and 
gardens, and the tower of a church is seen among § 
the trees. 


Signed at the lower right, ai M. Barnstey, 1887. os hd 
Height, 21 inches; length, 28% inches. 


PURCHASED FROM THE ARTIST. 


ee 


ee eee 


NN  eeEEEEEEEeEeEeEer 


SS 


No. 51 
OTTO DE PENNE 


HOUNDS IN LEASH 


Tree couple of foxhounds leashed together and 
fastened to a tree are grouped together in various. 


attitudes of repose and watchfulness. They are in 
full sunlight and in strong contrast against an au- 


tumn landscape. Beyond the group is a view across 
_a broad meadow to low hills. Two trees with sparse 
foliage extend out of the top of the picture against 


a soft autumnal sky. 


Signed at the lower left, Ov. vE PENNE. 
Height, 21 inches; width, 174% inches. 


PurcHASED FROM Bovussop, VALtapon & Co., Paris, 1886. 


“a. 


EDOUARD DETAILLE -. 
RECONNOISSANCE FROM THE : 
WINDMILL 


AN incident of the Franco-Prussian War. Two of- 
ficers with their orderlies have ridden up to a large 
wooden windmill, and both of them stand on the 
stair leading to the mill door and search the land- 
scape for signs of the enemy. The mill with its lat- 
ticed arms extends out of the picture at the top, and 
a bit of well-worn road occupies the foreground. 


Signed at the lower left, Epovarp DETAILLE, 1877. 
Height, 26 inches; width, 22 inches. 


PurcHaAseD FRoM M. Knoepirer & Co., New Bet 1889. 


a . 
No. 58 4 . ie : ‘Lo0 Linden ib 
JOHN R. MEEKER qd) pe 2 
A SOUTHERN SWAMP | 


Tue half-decayed moss-grown trunk of a large — 
tree stands on the shore of a broad stretch of water. 
Beyond it is a jungle of tall trees with festoons of 
moss hanging from the branches. White and pink 
‘water lilies dot the surface of the water, and bril- 
liant-colored flowers grow along the bank. 


Signed at the lower right, J. R. Meexer, 1876. 
Height, 27 inches; width, 22 inches. 


oslo : 4 ee rey 
; : 3 a ; eee ee ogee 
Ve ee a Ob eB ane. ow ere : + ri ais peer er: * oP ei si AO a ae a ee eh 
mpg = pee oa ae ot St ee a Dae rt pate oS See Atos cf Sh Tee uth a ; 
een Gage ee Sy ee Slee Em, NM pee mia det aa et eee Oe, 7 Ye i i fas nar ® 


as 


he. 
Pe ee ei at pete ees haa 
ee eer eee Or ee ee a ee ee 


Purcuasep From G. M. Harpy, St. Louis, 1876. 


| 
\ 


“ee ee eee 
.% +n ae a 3 


MEYER VON BREMEN 


EXPECTATION 


A. BAREFOOTED peasant girl has reached the ap- 
pointed rendezvous sooner than her lover, and, hav- 
ing laid her bundle and sickle aside, has been sit- 
ting on a plank supported between the trunks of 
two large beech trees. At the sound of footsteps she 
rises, and, half hidden by the tree, watches with 
eager anticipation. 

Signed at the lower right, Meyer von BREMEN, 1886. 


Height, 2614 inches; width, 1944 inches. 


Purcuasep From M. Kwnoeprer & Co., New York, 1889. 


tA bY Ay ff ff CB Si af) éy P42 
[360 ens 7 ACO | 


No. 55 oe horde 


ZI vo 


CHARLES EMILE JACQUE 
SHEEP UNDER THE TREES 


A FLock of sheep, accompanied by a shepherdess 
and her dog, browse in the rough pasture under a 
row of large, old trees, which are partly denuded 
of foliage, their rugged trunks and branches in 
contrast against the sunlit clouds of a turbulent 
sky. Some of the sheep have strayed apart from 
the flock, and the alert dog watches them from be- 
tween the tree trunks. On the left is a vista across 
a level country to low hills in the distance. The 
shepherdess and the animals are brought into prom- 
inence by a flash of sunlight, which has broken 
through the screen of clouds. 


Signed at the lower right, Cu. JAcQueE. 
Height, 25 inches; width, 21 inches. 


From the Jacque Sale, 1894; Illustrated in Catalogue No. 30. 


PurcHaAseD FROM Epwarp Branpus, New York, 1899. 


i + eae in 
Se PS OES Tee) el i> na ee 


| 
| 
ta 
ie 
| 


|| oe No. 56 
le RAIMUNDO DE MADRAZO 
| LA PIERRETTE ur KALA tae 
| i . A FAIR young maiden in dress of late eighteenth . 
\s century, with powdered hair, cocked hat, stiff 
ia bodice, yellow velvet jacket, and white silk skirt, 


is seated on a marble bench in a rich garden. Two 


red roses lie in her lap, and she fastens a third in 
her corsage. 


& Signed at the lower right, R. Mavrazo. 

; Height, 251% inches; width, 19 inches. 
\‘* 

ie PurcHasep From G. Reicuarp & Co., New York, 1889. 

f 


No. 57 : 
JACOB MARIS fj 00 


LOADING A SAND BARGE 


AN intimate corner of that most paintable country, 
Holland, where the skies are soft and the color is 
deep and rich. In the middle of the composition is 
a pool of water, evidently an arm of a canal or 
stream, with low, sedgy banks on either side. A 
single tree stands in the foreground on the left, 
and near it is moored a rude barge piled up with 
sand. A peasant wheels a load down an inclined 
plank while his comrade trims the cargo. A few 
birds are seen against the cloud-covered sky, and a 
tiny patch of blue shows through the luminous gray 
vapor. The pyramidal form of a straw stack just 
beyond the canal breaks the simple line of the low ~ 
horizon. 


Signed at the lower right, J. Maris. 
Height, 20 inches; width, 15% inches. 


Purcnasep From ArtHuR Tootn & Sons, Lonpon, 1896. 


~ e = = ee maa “ - as ——— = = - —— - = natn = ——— — — 
— a ese - —_ = “i ne <a meee 7 7 errs ? ren 
4 “ : 7S A ea ar wey ore ee oS es 7 - _— i P ee . A -_ { ie, hr Z . oe >. * i 
é <7" Lf ee me =the ; € " . > = a yi 8 : 7 Bien he . p 
; , re hes ae 1 %, wl ay ne g ; Le hour > ia, * 7 “qt. 
“ r he > 4 ad An “ 2 > at | © zo 5 4 
‘ ~s vo Z aga Y 


Se Tipe fn 4X 


: Lf oo No. 58 


f y yf , A 
me 8) :-) PA | ng 
WA ey” * 


JEAN BAPTISTE CAMILLE COROT 
ITALIAN MAIDEN 


THE seated figure of a young peasant girl in Ital- 
ian costume holding a mandolin on her lap with 
both hands. She is dressed in a white chemise and 
apron, with a red petticoat and dark blue overskirt 
trimmed with braid. The background is a character- 
istic wood landscape with vibrating diffused light 
from a simple sky. | 


Signed at the lower left, Corot, 1870. 
Height, 21% inches; width, 15 inches. 


PurcHASED FROM DurRAND-RvEL, Paris, 1896. 


7K oho 


HENRI HARPIGNIES ALG 
THE BRIDGE AT SAINT PRIVE w 


A SLUGGISH waterway, leading from the right fore- 
ground to the middle of the picture, is crossed by a 
stone bridge with a single low arch, beyond which 
it disappears in the irregularities of the ground. 
On the right rises a clump of willows dominated 
by the tall slender point of a poplar, and in the 
middle distance on the left is a tall rank of elms 
leading the eye to the distant horizon, where low 


No. 59 


hills and tree-tops meet the sky. A few tiny clouds 
float in the warm summer atmosphere, and a broad 
flood of sunshine illuminates the landscape. Figures 
of peasants here and there give a human interest to 
‘the motive, which is a characteristic bit of the rich 


farming country of France. 


Signed at the lower left, H. Harpicnirs, *70. 


Height, 24 inches; width, 19% inches. 


_PurcHasepD FRomM ArNoLD & Tripp, Paris, 1896. 


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No. 60 
J. SOUZA-PINTO 
THE BATHERS 


In the foreground, erect on the grass, which is 
flecked by strong sunshine, is the figure of a young 
girl, her back to the spectator. She is about to join 
a companion who is disporting herself in the re- 
freshing water of a small stream on the left. 'The 
horizon is high, and only a small area of sky is seen 
on either side of a clump of trees and bushes. 


Signed at the lower right, J. Souza-Prinvo, 1895. 
Height, 32 inches; width, 25 inches. 


(Champs Elysées Salon, 1896.) 


PurcHASED From M. Kwnorprer & Co., Paris, 1896. 


No. 61 


E. BERNE- BELLECOUR 
EARLY MORNING IN THE REDOUBT | 


Tue motive is found in one of the German earth- 
works in the suburbs of Paris, at the moment when 
the glow of sunrise brings the distant hillsides into 
relief against the sky. In the immediate foreground 
is a section of field artillery with the two guns 
pointed over a low breastwork. An officer, support- 
ing himself against the wheel of one of the guns, 
gazes at the sunrise. Near by are the three soldiers 
" _ who are on duty in the battery, one of them asleep 
7 on a pile of sandbags, one warming himself at a 
: ; tiny fire, while the third, with cap in hand, leaning 
| over a row of gabions topped with sand bags, ap- 
parently curious to know what his superior is think- 
ing about, watches the officer. | 


Signed at the lower right, KE. Berne-Bexrecour, 1885. 
Height, 21 inches; length, 28% inches. 


PurcHaseD FROM M. Kwnoepter & Co., NEw York, 1889. 


No. 62 
HARRY CHASE. 


NN WERS 


D ER papee ewer oy oxidized ornamenta- 


a ‘eg O No, 63 
eee) )6—SCUHTARRY CHASE 


zs ‘FRUIT | 
-Buncues of different varieties of grapes and two 
pears are arranged with ornamental glass vases on 
a polished table with a background of figured 
- damask. 7 


of 


ea Signed at the lower right, H. C., 
H Boe 24 inches; width, 14 le 


- PurcHasep From Perres & Co., St. Louis, 1880. 


No. 64. s 4 


ADOLF sca | Joo oO 
TRAVELLING IN RUSSIA ete 


A sine fur-clad traveller sits half covered with 
skin robes in the box of a clumsy sledge with his 
rifle at his side ready to be used if needed. A double ae 
troika driven by two postilions, is harnessed to ther 2 
sledge and the ponies scamper at full speed over 
the snow-covered ground. In the middle distance — 
on the left is a sparsely wooded declivity under a _ 
wintry sky, and on the right a single horseman 
canters along the snow-covered road. The land- 
scape is wild and inhospitable. There are no signs 
of habitation, and the traveller is evidently on the 
alert, anticipating an attack by wolves. 


\ 


Signed at the lower right, Av. ScHREYER. este 
Height, 20 inches; length, 32% inches. 


PurcHASED FROM WILLIAM ScHaus, New York, 1889. 


cus 


C. NICZKY “ZF 
IN EXPECTATION " 


Two young dames standing on the walled terrace 
of a chateau are apparently watching for some one 
in the village, the roofs of which are seen below. 
One of the ladies is dressed in white satin, and the 
other in a gown of the same material in black over 
a petticoat of yellow and gray brocade. 'The towers 
of the chateau, with steep pitched roofs, rise against 
the sky on the left. 


Signed at the lower right, C. Niczxy, Mcun. 
Height, 25 inches; width, 19 inches. 


PurcHasep From Messrs. WiNMER, Municu, 1890. 


ve 


Rie A. DAGNAN-BOUVERED eee 
aS 
THE WATERING TROUGH a ie i 


not unwilling to rest a while from ‘hes labors. 
hind the group is a piece of cultivated sr 


covered with light atlas 


Signed at the lower left, P. A. Dacnan-B., 1884. : eee. nas 
Height, 31 inches; width, 19 ‘inches. is 


or 
he Be 
oo eae 
t * f 2 & 7 
a a a 
a Rut 


Purcuasep From M. Knorpirr & Co., Pants, 1896. * 


L. EUGENE LAMBERT 


A CAT FAMILY 


Two old cats have sought refuge from three 
troublesome kittens on the base shelf of an ormolu- 
mounted side table, where a pile of plates, a crum- 
pled napkin and other articles show that a meal has 
just been eaten in the room. On the left is a dull 
green velvet curtain or portiere, and behind the side 
table is a white panelled dado. 


+ 


Signed at the lower right, L. Eve. Lampert. 
Height, 15 inches; length, 19 inches. 


PurcHasep From Bovussop, VaLrapon & Co., Paris, 1886. 


7A 3 


SEES a ea A eae 


No. 68 


HENRI HARPIGNIES — 
THE WILLOW NEAR THE RIVER 


In the foreground, which is in broad, luminous — 
shadow, a great pollard willow stands near the ‘ 
shore of a broad river, in vigorous contrast against anf ) 
the sunlit landscape beyond. A narrow winding oe 
path follows the river bank, and in the middle dis- © 
tance are seen two or three figures on the gently 
sloping bank, where the trees cast broad shadows — 
on the grass. Across the river is a line of wooded — 
hills, and near the water’s edge is an irregular 
clump of trees, which are reflected in ihe smooth — 
surf ace of the water. : 


Sioned at the lower left, H. Harrientes, 793. 
Hae 23% inches ; width, 20, inches. | 


Purcuasep From Arnotp & Tripp, Paris, 1896. Cha. ee 


“Sicee SNe AG cette kai 2 eee ey Le te Rr cr rea: apie NEA Ae 2G TAREE SMG 0 TI LE ad RN YRS Al BOE CAEN 


eR OR Oye AS 


/ ae No. 69 KS V ; 


CLAUDE MONET 
SNOW EFFECT 


_A DEEPLY rutted path through a woodland leads 


from the foreground to the middle distance. A thin 


layer of snow partly covers the ground, and above 


the trees is a wintry sky, rosy with the light of late 
afternoon. A single figure near the foreground 


moves along the path away from the spectator. 


Signed at the lower right, CLaupE Monet. 
Height, 22% inches; length, 24 inches. 


PurcHasep From Duranp-Rvet, Paris, 1896. 


No. 70 
EUGENE DELACROIX 


AN ARAB FANTASIA 


Four Arab riders mounted on spirited horses dash a 
across the rough ground, firing their long guns as ~ 3 | 
they go, the horses’ hoofs throwing up a cloud of a 
dust as they scamper along, urged by the wild gest- 
ures of the men. In the immediate foreground a _ 
seated figure, enveloped in a burnous, stolidly 
watches the horsemen as they rush past. The land- 
scape is sombre, and the chief vegetation is the cac- : 
tus, which here and there shows its uncouth shapes 
in the arid earth. Beyond the group is a stretch _ 
of desert-like country, broken by low hillocks or 
ridges, and the angular lines are unbroken by trees by 3 
or softened by herbage. The simple tone of the sky __ 
is broken by the lines of a lofty cirrus, and against 
it the cloud of smoke from the guns contrasts in a 
mass of light. 


Signed at the lower right, Eve. Detacrorx, 1833. 
Height, 23 inches; length, 28% inches. 


Described in A. Robaut, Page 125. Von Isacker Sale, Paris, 1852. 
San Donato Sale, 1870. Lefebvre (of Roubaix) Sale, 1896. 


Purcuasep FRoM M. Knoepter & Co., Paris, 1896. 


No. 71 
OTTO DE THOREN C/ 
HUNGARIAN MARKET 


THE composition represents a market in a village 
of the Hungarian plains, where the peasantry as- 
semble at stated intervals to sell their produce. A 
broad road, which runs out of the foreground, is 
lively with horses and carts and picturesque farm- 
ers in the jaunty Magyar dress. In the middle dis- 
tance are seen the village houses with a screen of 
low trees behind them, and everywhere 1s the busy 
activity of trading. and gossiping. 
Signed at the lower right, O. pe THOREN. 

Height, 24 inches; length, 32 inches. 


PurcHasep FRom Bovussop, VALADON & Co., Paris, 1886. 


No. 72 a ees 
JEAN CHARLES CAZIN | ioe 4 
THORNFIELD CASTLE i ae 
Tue castle is simple in form, with two large, round — 
towers at the corners of the structure, and stands 
on level ground with a rank of trees on either side 
and a broad lawn in front. In the left foreground — 
are a few trees and shrubs on a low hillside partly — 
concealing one side of the castle. The moon, high __ 
in the heavens, throws a flood of cool light on the | 
roof and towers, and casts a deep shadow on the 
lawn. The windows of the facade between the two 
round towers are illuminated by a ruddy light. A 
single thin cloud floats in the pas and stars 8 glim- 
mer here and there. 


Signed at the lower right, J. C. Cazin. 
Height, 25% inches; length, 32 inches. — 


(From the Salon Champs de Mar, 1894.) 


Purcuasep From M. Knorpirr & Co., Paris, 1896. 


i as 
‘. 


No. 73 


EMILE VAN MARCKE 


a SHALLOW stream flows across tae; foreground 
from the right, and cows wander across it, drink- et. 
ing the water or browsing on the rich grass. Other pes 
cattle preceded by a horse approach along a path, 
__ which leads over a slight eminence just beyond the 
brook. In the distance is a sunlit landscape with a 
rounded hill on the right, and above it a sky full 
of cumuli, with a small spot of blue showing near 
_ the zenith. 


Signed at the lower left, E, VAN Marcxe. 
Height, 29% inches; width, 23% inches. 


Purcuasep From M. Knoeprer & Co., New York, 1889. 


(See Frontispiece) 


TG. 74 
BENJAMIN W. LEADER 


EVENING ON THE THAMES AT 

‘ MARGRAVE 
THE winding river with low banks overgrown by 
sedge and rushes leads from the foreground to the 
middle distance, where it bends to the south, to 


- wind away again under the distant hills. On the 


left, in a small backwater, is seen a punt with two — 
figures and a pile of freshly cut grass, and far-— 
ther away, on a point of land, an irregular line of 
poplars and other trees rises above farm buildings 
near which cows graze in the meadow. On the right 
in the middle distance are one or two houses and a 
large herd of cattle. The glow of sunset touches 
with warm light the edges of a low stratum of 
clouds, contrasts their forms with the distant cirrus, 
which veils the sky high above, and the river reflects 
the whole with mirror-like accuracy. 


Signed ‘at the lower left, B. W. Leaver, 1895. 
Height, 24 inches; length, 36 inches. 


Purcuasep FRoM ArtHUuR Toot & Sons, Lonnon, 1896. 


ee rage ee 
é 2 Lm 
cs , 


a Saaee SP oatee Re M 


| bi - J) e ian y, 
I | et. Le 
1 Hoo NO. 75 ain. CY 


| MAX VOLKHART 
THE PROPOSAL 


be A YOUTH and a maiden have been passing their 
. leisure with music, and the expected result has fol- 
lowed. Resting his guitar on the floor, the lover 
leans forward from his chair and clasps the hand 
of the maiden who stands by his side. The figures 
are in the costume of the seventeenth century, and 
the interior is finished with articles of the period. 


Signed at the lower left, Max Voixwart, Op. 120, 
Height, 36 inches; width, 26% inches. 


PurcHAsED FRoM Epwarp ScHULTE, Berwin, 1890. 


No. 76 eG 
JEHAN GEORGES VIBERT _ 
THE CHURCH IN DANGER 


In a sumptuous interior filled with rich f urniture 
and choice bibelots, an elderly cardinal in full ec- 
clesiastical robes is engaged in a game of c¢ 

with a comely young lady, who pauses a mom at 
in her play to chat with a companion who is lear - 
ng over her shoulder. On all sides are evidences’ of. 
wealth and luxury, and the objects displayed have | 
been assembled from all over the world. A proad- 
spreading fan palm in a huge Chinese bronze tem- | 
ple-piece receives the light from a high window, os 
which falls full upon the cardinal and throws the 
two ladies partly into shadow. A rare Persian rug 
covers the floor, kakemonos and Japanese masks — 
decorate the walls, and a curious cabinet with or- 
molu mounts and a clock as a final stands behind __ 
the card table. ; | | | 


rar ae 
fan aa 


: 
ae 


ik day at the lower right, J. G. Vinerr. | 
ak 23 sie length aie inches. 


Purcuasen From M. Knoepier & Ga New py 1889. 


Hy 


ee. 5 


No. 77 
SIR AUGUSTUS W. CALLCOTT, R.A. 


CLASSICAL LANDSCAPE 


A COMPOSITION inspired by the study of Poussin 
and Claude, with a wide view over a populous coun- 
try, where a shimmering river winds between banks 
crowned with temples and other large edifices, until 
it is lost in the haze of the distance. On the right 
and left are fragments of ruined buildings and tall 
trees against the sky, and in the foreground classic 
maidens fetch water in earthen jars from a cool 
and quiet pool. 


Height, 28% inches; length, 43 inches. 


Purcuasep rrom Artuur TootH & Sons, Lonpon, 1896. 


No. 78 
LEON LHERMITTE 
THE BLAZE OF NOONDAY 


A FAVORITE motive of the artist, chosen in the sea- 
son he best loves to paint—harvest time. The great 
wheat field has been partly cut, and it is the hour _ 
of midday rest. A weary reaper half reclines ona  __ 
fallen sheaf near a large stook of wheat sheaves, & 
and his wife, carrying an infant on her left arm, _ 
drags along a sheaf, apparently to form a pillow — 
for herself. In the foreground is the habitual lunch- 
eon of the French workman, bread and wine, with 
the sickles which are laid aside for the noon resi: 
The sun, glowing from behind masses of vaporous - | 
clouds, strikes sharply but broadly on the distant 
field of uncut grain and fills the f oreground, 
which is in a cloud shadow, with an infinitude: of ea: 
reflections. at 


Siynod at the lower left, L. Laermirre. | ee en CK 
Height, 29 inches; width, 23 inches. 


Purcuasep FRomM ArtTHUR TootuH & Sons, Lonpon, 1890. 


No. 79 | O 
- HARRY CHASE 


om are Bo erbled: A small tugboat wallows in the } 
ea to approach the brig, and the distant horizon is 


and tiny spots of blue show near the zenith, pos- 
_ sibly giving hope of clearing weather. 


aS | Signed at the lower left, H. Cuase, 1876. 
Py Height, 24 inches; length, 42 inches. 


Purcuasep rrom Petres & Co., St. Louts, 1880. 


No. 80 
RICHARD GOUBIE "oe 
A RIDING PARTY 


A RIDING party of ladies and centensaea some of 
whom have dismounted, is gathered near th A : Be: 
thatched stable of a chateau on a pleasant summer b 
afternoon, apparently resting for a few moments 
on their excursion. In the foreground a gentleman _ 
and two ladies are engaged in earnest conversation, 4 
and beyond, nearer the stable, a number of others 
are equally interested in each other. Hens and 
ducks seek their food in the grass here and there, 
undisturbed by the crowd of people and horses. A 
groom in a yellow jacket is unhitching the horses 
from a carriage at the left, and his companion is 
bringing a bucket of water. In the distance are the — 
tall trees of the chateau grounds rising high above 
a stone gateway, and in the f Oree ron on either 
side are other trees. eS 


Signed at the lower right, R. GousiE, 1888. . 
) Height, 26 inches; length, 89% i inch hes 


PurcHasep From M. Kwnoepter & Co., Naw Youu, 1889. 


a A ot ee rn, el 


A meter 


No. 81 
H. THOMAS SCHAEFER 


ae os. a marble terrace, high above the sea, are two 
7 ee 
; oes in diaphanous white tunics and colored 


mh : oF ae eed t on a leopard skin thrown upon a_ 
pa Peantbls bench, is attaching a bunch of roses to the 


rt long garland which hangs from her companion’s 
ie 5 
a shoulder. 


poare at the lower left, H. THomas ScHaErer, 1890. 
Height, 37 inches; width, 23% inches. 


ene ae -Purcuasep From Artuur Tootn & Sons, Lonpon, 1890. 


a 
“er 


MIHALY DE MUNKACSY | 


COURTSHIP 


A MAIDEN of the Vandyck period is ‘sektcin at 
embroidery in a room, which is lighted by a e, 
window on the left. The strong light which f all 
the embroidery sends a searching reflection into the 
shadow of her head, which is held modestly down, 
disclosing an expression of pleasure at the words — | 
of her lover, who is evidently urging his claim fo or 
her hand. He nervously sits on the edge of a high | 
chair, and shyly draws near to his lady love as the. ? 
speaks. A decanter and a wineglass occupy a table i 
on the right, geraniums stand near the window, i 
- and in the background on the righ is an oak cabi- 
net with a vase on top. | sae 


Signed at the lower right, M. pe MunxKacsy. s ae eis 
Height, 3714 inches; length, 51 inches. ia 


-PurcHasep FRoM Epwarp Branpus, New York, 1899. 


No. 83 lt ut wee ‘t ay He 


F. H. KAEMMERER 


THE BATHER 


_A young girl has partly disrobed herself in the 
shelter of large rocks by the seaside, where she has 
found a nook which promises security from inter- 
ruption. But she is suddenly startled by the sound 
of conversation, and turns her head to discover a 
couple walking along the beach not far away, all 
unconscious of the neighborhood of the fair bather. 
The foreground is in shadow, and the landscape 
seen beyond the high screen of rocks is in a full 
flood of sunshine. The shelving beach with its bath- 
ing houses curves away to the right in the middle 
distance, and beyond is a stretch of sunlit dunes 
and cliffs. 


Signed at the lower right, F. H. Karmmerer. 
Height, 42% inches; width, 25% inches. 


PurcHAsep From Bovussop, Vatapon & Co., Paris, 1886. 


No. 84 
LUIGI CHIALIVA 
GIRL TENDING TURKEYS 


A Fiock of turkeys of various colors and ages : are a 
gathered around a young peasant girl, who is e 

seated on a gentle slope in full sunlight. Behind her — 
struts a large gobbler with spreading tail, at her 
feet three or four young birds are in the care of 
their fussy mother, and the remainder of the flock | 
busily seek their food among the weeds and in the 
short grass which is scorched by the summer sun. 


In the distance is a farm-house with white gable i in nee “ 
contrast against the remote low hillsides. The sky, = 


which occupies scarcely a third of the picture, is 
simple in tone and somewhat modified by a summer 
haze. : 


Mane at the lower left, L. Cutaniva. 
Height, 31 ‘aohane twhip th, inches. 


PuRCHASED FROM Bovussop, VALADoN & Co., Paris, 1886." 


” 7 DOMES Ae ee 8 
4 e vy Sr - 
ay y¥ " - 
te Gee dd 
+. . 


No. 85 
OTTO DE THOREN 


a Re ON THE ROAD TO MARKET 


oy HUNGARIAN country wagon, drawn by three 
= - horses, two harnessed to the pole, and the other, ac- 
i. companied by her foal, hitched to the body of the 


a E a vehicle, occupies the immediate foreground. Be- 
__ hind the driver a peasant girl is seated on a bunch 
of hay, and with one arm around his shoulder whis- 

s _ pers in his ear. Other vehicles are moving along the 

Ae broad and dusty road, and on the left, in the dis- 

__ tance, is a characteristic church spire and a sugges- 
tion of the houses of a small village. 

- Signed at the lower left, O. pp THorEN. 

Height, 26 inches; length, 51 inches. 


PURCHASED FROM THE Artist, Paris, 1886. 


satis 


CHARLES SPRAGUE PEARCE 


THE LITTLE HOUSEKEEPER | 


A PRETTY young girl absorbed in her task of poss ae 
tato-peeling sits on a high stool with her back to | 
the wall of the kitchen, while her feet rest on an-— 
other stool in front. In her lap she holds a green - 
glazed earthenware bowl, on the stool in front of 
her is a plate of f reshly peeled tubers, and a basket 
ful ready for her hand stands beside her. In the 
background is the corner of a fireplace with kettle, 
bellows, warming pan and the smoke curtain. " The 
floor is covered with hexagonal tiles in a variety an 
colors. The light comes strongly from the left, 
throwing the figure into strong TeHSas agents ‘the 


plaster wall behind her. aoe 


Signed at the lower left, Cuartes SPRAGUE Pearce, Awvers. ; fs a aut ‘ 
Height, 291% atone length, tess inches. 


PuRCHASED FROM THE ARTIST, Paris, 1886. 


Sm ey aeetg snboide ged Sirs 


a ee ae, 


— i — ss = a rs 
: j ey 5 na a he 4 ? a alle 2 i 
4 ss ie ‘ F i 4 ~ ; me 
; cae ; Pi ns _ : 7 
ie es Pies Wing ‘ eek Ne. ~~ ae « a ee cK 
Ai id ow . “ ow 7 ha c] > * sete ae 0 
s Ms ‘ 7 ‘. 4 see eee ee ree 


= Fe i 


JULES LEFEBVRE 
PSYCHE 


On the edge of a rough rock, her slender figure in 
strong light and in vivid contrast against a deep- 
toned sky and sombre expanse of water, is perched 
a slender maiden, holding on her lap an ivory 
casket. A brilliant star hovers over her forehead, 
spirit forms flash across the sky on the left, and a 
serpent writhes out of a crevice in the rock below. 


Signed at the lower right, Jutes LEresvere. 
Height, 46% inches; width, 31 inches. 


Purcuasep From Bovssop, Varapon & Co., Paris, 1886. 


& 


Ss = Fil 
y, BO Bae y 
VS0 ST MO hedee 
/ 9 No. 87 K 4) | VAtE007 


EUGENE BOUDIN 
THE BEACH AT ETRETAT 


shingle of the beach is covered with ee fd one 
ster pots, and near the line of the water numerous — 
fishing craft are drawn up in close array. Twos: 


fishermen at work on one of the bone ane life e to 


part of the sky, and are touched here aed there ee 
strong light, which also throws the chalk cliff into © 
contrast against a mass of gray vapor which drifts — 2 ae 
across its summit. On the left of the chalk cliff sie a 
the expanse of the sea meeting the sky in a ‘line > | 

broken only by a single sail in the remote distance, i. ie" 
and a belated fishing boat has just rounded the 
point of rocks of the promontory. > a ; 


aps 


Signed at the lower right, E. Bovunrn, ’91. 
Height, 31 inches; length, 43 inches. 


Baroness de Uabiro Sale, Catalogue No. 7. 


PURCHASED From M. Kwnoepter & Co., ee. 1896. 


se % 


ei ~ Pre ew 


a : > I ~ 
eta - 
va Saat 


4) gti -~ : » . 
ne DE EE PTE ee eee ae, 


Rome ae 


Bust, Apollo ae 


With Yellow Antique Marble Pedestal 


NO.°91 > 
Rome 


Bust, Antinous 


With Yellow Antique Marble Pedestal 


carric Gok ee 
4 M4 


No. 95 


Bust, Cicero 


Copy from the Antique by L. Gallandt of Rome 


No. 96 


Bust of Demosthenes 


Copied from the Full-length Statue in Rome by L. Gallandt 


~ 
‘ Stary obi a . aA 
«ee ee a : — 
ae 
wee oa 4 a 
i wo - re 


Crouching Venus 
: : be in, the Mateus reproduced by L. Gallandt, Rome 


Soi 


F 
~~ 


i 


\ 


oN. 99 
Venus Callipy gus 


Co . rin Original Size of Figure in the Naples Museum 
‘ 5 From Andruni, Rome 


With Revolving Pedestal 


re No. 100 
Setar 8 Rome 
Punishment of Cupid : 


Original Subject of the Artist 
With Fine Paronazetto Pedestal 


, 


BRONZES. 


§ No. 101 


A ds :  -Vigneuse 


AS, ~. An Original by Moreau, signed Math. Moreau. | 
. oe ; ; 
ma . a Purchased from Godeau & Lapointe, Paris, 


Eee ih, | No. 102 
is ) : LARGE GROUP 


Immortality 


An Original by Math. Moreau 


y Purchased from Godeau & Lapointe, a 1886 ve roe 
i. eo. 


AMERICAN ART ASSOCIATION, et 
Manacers. — 


THOMAS E. KIRBY, ee. 


AUCTIONEER. 


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